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What’s on my easel?

What is on my easel this month? It has been a busy month with a workshop and commissions, and these are three of the ones I have finished.      Mike the Greyhound This is Mike, a stunning Black greyhound looking especially smart in his bow tie.  This commission was given as a gift and the recipients decided this image of Mike was perfect for painting. The owners wanted a tonal background so I used Phthalo Blue, Bamboo Green, Dioxazine Purple and a splash of lemon Yellow.  I applied water using a mop brush to the background, then applied the paint liberally onto the wet surface,  I splash the colours over each other to help the colours blend,  the paper at this point it is very wet and glossy,  I wait for the paint to dry slightly to a “satin sheen,” then splash clean water. I do this several times, each time applying less and less water. The main subject is painted when  the background is completely dry. I use my usual colours for the black pets, a mix of Phthalo Blue, Dioxazine Purple, Bamboo Green, Lemon Yellow, a hint of Red Gold, Bengal Rose and Daniel smiths Quinacridone Purple and indigo Santa’s Little Helper Christmas is just around the corner so I have designed my 2025 Christmas card, and will be be adding it to my Facebook page, for preordering. I miss my “Little Bird,” Daisy, so she graces the cards again this year. I would give anything for one more Christmas with her, she was such a beautiful little soul.  If you would be interested in buying some Christmas cards this year please let me know. You can message me using the contact commissions form, or email yvonnechapman841@gmail.com They will be sold in packs of 6 for $18 AUD plus postage. The Old Swan Brewery, Perth foreshore, Western Australia The Old Swan Brewery is a heritage building that sits on the Swan River, just under Kings Park in Perth. No longer a  brewery, but is now used as apartments.  This Acrylic on canvas commission   was fun to paint, using bright colours, as requested.  I used low tack masking tape to help  maintain the straight lines, which made it much easier to paint. I don’t do buildings often so it made a nice change to paint such a landmark.   

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“Paint your pet” workshop August 2025

What a great way to spend a weekend 5 ladies attended my latest workshop, in my studio in Pinjarra WA. The workshop runs from 9.30 am to 4pm both days. The first day was warm and sunny but the second day the weather turned wet and windy.  Our first day was supposed to cover stretching paper to use for the weekend, but as the forecast wasn’t looking great, I pre stretched some Archers 300gm paper onto MDF boards for the ladies to use. One lady used a Langton Watercolour block in a 12 x 16 size, I use these blocks too, being gummed on all sides with just a 2 inch gap for separating the paper after use, they are convenient to use without having to stretch the paper. , Day 1: Drawing and background Day 1 starts with the drawing using a grid to enlarge an A4 photograph up to and A3/ A2 size painting.  The grid is a very useful tool for this purpose creating an accurate image, that is proportionally correct to the photograph.   All the backgrounds on these images are fantastic. This is a challenging workshop, the artist has to work with a completely different technique than they are used to, plus use colours in a very bold and bright way.  They have to think about which colours will work together side by side, as some colours do not mix well with others,  plus learning how the warm and cool colours will affect the finished painting.  Day 2: painting the subject Now the fun starts. Day 2 is very full on with a lot of work to do. Using my warm and cool colour technique to create highlights and shadows, they begin to paint the subject. I do not expect them to go home having mastered this way of painting, it has taken me years to develop my style, and it is constantly being tweaked and adapted as my paintings are created. At first they are nervous to make a start, but with plenty of guidance they all create such wonderful images. Suddenly the bold and bright backgrounds are no longer the main focus as the subject emerges.  Another workshop completed and 5 very happy students have taken away paintings they can all be very proud of. My aim in these workshops is to give the student the opportunity to play with colour and to learn that there are so many colours you can use to create the  finished painting, even if they never use these colours like this again, just learning that black dogs, for example, are not just black, but blue, purple, green even pink, that white can also have pale tones of blue and purple in its shadows.  If you are interested in attending a workshop or if you have a group that wish to attend,  let me know via my contact commission form.

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Yvonne Chapman-Brooks

Biography   I was born in the UK in 1962 and have been painting all my life.  After leaving school at 16 I went to art college for 2 years then onto Lanchester Polytechnic, (now Coventry University) in Coventry UK, where I completed a 3 year BA(hons) course in Graphic design, finishing in 1983….pre computers! In 1983 on leaving Polytechnic, jobs were scarce, in 1985 I started my State Registered Nursing at Leighton Hospital in Cheshire. This nursing role took me to Australia in 1989.  Sadly  ill health meant I and had to leave nursing, so I concentrated on my art as a hobby. I used pastel and acrylics as my main  mediums, then began including textiles in 2009. My hobby and passion is my art, and around 2013 I started exploring watercolours, my specialty is pet portraiture, animal paintings and recently tree-scapes. I am known for my very vibrant colours. I have been sending my pet portraits worldwide now for several years and have won prizes for my art in Art Exhibitions in WA. I have given workshops in my rainbow colour theory technique. I am the Artist in residence at Vineyard 28 in Harvey, Western Australia. Painting and textile workshops I also work with textiles and have won awards in the USA and Australia for my art quilts. I specialise in thread painting and have held workshops in this technique. My watercolour workshops are a perfect way to explore the watercolour medium beyond the normal parameters of colours, by using the vibrant colours seen in my portraits. The techniques used to create the signature background of my work are demonstrated, along with the stretching of watercolour paper, and drawing from a photo using a grid. There is a materials list of requirements, paints, brushes etc if you would like to do a workshop with me. The workshops are held over two days as there is a lot to learn, and in groups of 6 to 8 people. I can come to you if you are a group that would like to have a visiting tutor. There is a fee for travel and accommodation.  The following paintings shown are students work, so far no one goes home without a painting they are proud of, and an idea of how bright colours can work to create highlights and shadows.   Textile workshop students I have held a couple of textile workshops and demonstrations in Perth, for various groups of ladies who want to have a try at Free motion sewing.  They are held over an 8 hour day as there is quite a lot of ground to cover. They leave with having experienced the basics of how to reach a finished image using just straight and zigzag stitching.  Below is my finished “Out of the Ashes” that they are using as reference for this workshop. Tree scape workshop Some examples of student paintings at the Tree Scape workshop.  If you would like to attend or enquire about me hosting a workshop for you please contact me using the commission request, or email yvonnechapman841@gmail.com

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Paint your Pet Workshop May 2023

 “Paint your pet in Watercolour,” held in May 2023, was once again a very successful workshop. A beautiful weekend was forecast so the stretching paper demo was able to dry quickly. I usually have about 4 workshops per year,  since the completion of my home studio, I can hold these for about 6 people.  The workshops are split into two days, the first day is a demonstration of the drawing techniques required. I teach  enlarging from a photograph using a simple acetate grid. This is such a handy technique to master as you can not only enlarge but reduce in size too. The simple formula works for simple enlargement of A4 to A3, or even up to the side of a house if necessary! I demonstrated a couple of images, a black greyhound and a black Red Tailed Cockatoo,  the main aim of these workshops is to show how warm and cool colours can be used to create the portraits. Warm colours depict the highlights and cool colours depict the shadows. I chose to demonstrate a bright Rainbow background, and a more natural tonal effect.  The colours I use never change, Lemon Yellow, Australian Red Gold, Bengal Rose (Gouache), Phthalo blue, Bamboo Green (Holbein brand is the nicest blue green I have found as it is bright and beautifully transparent), Indigo and Dioxazine Purple.  Most of these colours can be found in either the Cotman tube ranges (which I recommend for beginners as they are lovely, clear colours, but a cheaper version than the artist quality brands), or the Windsor & Newton range, the other brand I like to use is Art Spectrum, I use tubes of paint verses the pans, as the technique requires large coverage of areas in a short time frame. The final touch is a small amount of titanium white gouache, brilliant for the dots in eyes or stray white hairs, unlike the Chinese White watercolour, which I find is more of a milky glaze than a bright white.  Day 1 Once the outline is drawn with as much detail as possible, we move on to the background. The warm colour area depicts the light source. It is important not to mix certain colours such as the green and Bengal rose as they go very muddy,  not a nice combination, therefore care and thought are needed when placing colours together. I tell the students to think about what colour mixes to what, to get the next colour, for example yellow to red (in this case the Bengal Rose) gives you the oranges.  Day 2 Day two is the fun bit, the actual painting of the subject. The students all did such a great job of their backgrounds, and its not as easy as it looks! There are several different ways of painting with watercolours, the main two are wet on wet and wet on dry, the background is the wet on  wet, but other things affect the process, such as the weather, too hot and it dries way too quickly, to humid or damp and the water takes too long to dry leading to muddy blending. The splashes of paint, that help to blend the colours, are added in several layers as the paint dries. I teach several effects at this stage, if you want to know more….. book into a workshop! How awesome are these! All the examples of finished work are amazing, they should be very proud of their work. .  Even though there is a common theme, everyone’s piece is so different. If the student doesn’t want a really bright image, the colours can be toned down or used in other ways and yet still look “Normal” to the eye. It’s amazing how the eye and brain evaluate the images. You almost don’t notice the bright green or pink that are subtly used in the subject on first glance.  Sadly one of the students couldn’t complete her second day, so I finished her painting off for her, she had made such a tremendous start it seemed unfair that she go home with only half a dog, and it was another example for me to  demonstrate.  I use my images reverted into monochrome as examples to show how the colours really look as tones. This is why the brain usually accepts them as  a “Black dog” instead of a “blue and yellow dog”. I know which of the paints I use have similar tonal values when dry, so I can swap out the Phthalo blue with green, or the magenta with purple.  By the end of the weekend there has been some amazing art created, each one unique, and everyone seems to take away something different from the experience, whether it be a new skill, or a new understanding of colour.  I just hope that they all take away a memory of a fun weekend,  trying something new, if they change their colour palette that’s Great! If they realise what colours can/can’t be mixed that’s great too.  I hope they go away with new ideas and a fun take on a technique. It’s all about learning and enjoying the experience…. having a dabble in a safe space. There’s no right and wrong with art, just a different perception. 

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Watercolour Rainbow landscape almost completed watercolour layering

Landscape layering

MAKING A LANDSCAPE I love doing watercolour  landscapes using the bright rainbow colouring, using the warm (light) and cool (Shadows) colours. I start very basically with a rough idea of where I want the light, being transparent Yellow is easy to hide with other colours, so this is my first layer, with splashes of water I create the soft mottling look that also helps to add depth to the finished piece. Here I have used Art Spectrum Lemon yellow with a hint of Windsor and newton Cobalt blue Light. Step 2 When the first layer is dry I start to add details that will also add depth, I am starting to deepen my colours, but still keeping the warm colour tones. Here the distant branches are starting to take shape using the pale yellow greens, then adding the deeper cooler blue greens you can see how the image starts to move towards the viewer. Here I use Holbein Bamboo green and Daniel smith Spring green, plus a deeper yellow for the branches. Step 3 Now my third layer begins to bring the foreground closer using the cooler colours. Simple straight lines form tree trunks. Some painted in the Australian red gold to provide a mid-ground, then the blues and purples for foreground.  A spattering of leaves, careful not to completely block out the background, re painted in a mix of the cool colours, I have used Art Spectrum Phthalo Blue, Windsor and Newton Dioxazine Purple and Windsor and Newton Bengal rose Gouache. Step 4 Some extra branches have been added in the cool colours, and using wet on wet the ground has been added, keeping the light in the centre and deepening the edges to create a pathway, water has been splashed on the paint as it dries to create my signature mottling. Finishing  I decided that the painting looked too empty at the top and wanted to create more of a forest walk feel, so I added more leaves and deeper branches to the centre, some splashes of paint and some liquid acrylic iridised paint to add a little bit of shine,  then detail in the pathway using a liner brush and a bit of white for the highlights. I have used cool colours,  mainly greens to bring the “Light” forward, and a deep blue green for the shadowing. Some of the pink works as a warm tone when mixed with the orange, yet still acts as shadow due to the intensity of the colour compared to the distant paler more diluted colours.

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