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A look back over 2024

Well as we say goodbye to 2024 and hello to 2025! I would like to wish you all a very happy New year. Thank you all for you continued support for my artwork, and for those who entrusted me with creating a loving memory or portrait of your pets, (several this year went overseas to the USA) A big thank you to all of you. As I look back on the last 12 months we have seen some sad changes in the Brooks household, the main one being the loss of our beautiful Greyhound, Daisy. Daisy was my muse for over 11 years, and she will be greatly missed. Luckily, I have several paintings of her dotted around the house, along with Otis who we lost at the end of 2023, so they will always be looking over us. The last year started with my shoulder surgery which meant no art for nearly 4 months, then the creation of my art quilt for the Australian Quilt Challenge “Oh my stars” where my quilt was selected as a finalist to tour the Eastern States.  It has now returned and is hanging on my wall alongside “Saving Magic” It is great to see them daily hanging together. I ran a couple of workshops last year and will be planning a couple for this year too. Watch this space or follow my Facebook page for details. https://www.facebook.com/@YvonnesArtwork/ Cossack Art Awards this year was another good exhibition for me too, with a sale and a Pilbara Ports People Choice award, for “When the working day is done,” that was a wonderful award to win and one of my best paintings for the year. It is too hard to choose a best piece or best portrait as I love doing all of them.  I have a couple to do for the New year, and a few for home and for sale at the cellar door at Vineyard 28 I look forward to sharing them with you on my website and on my Facebook page. Have a very safe, prosperous, and healthy 2025 everyone.

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Molly’s Story

This is the story of how were adopted by a beautiful white Boxer dog, and how she loved life and everyone in it.   Years ago, we were having dinner with a family that friends knew, who lived in a big posh house with flashy, very expensive possessions, which they liked to brag about, and who owned a white boxer puppy, her name was Sassy.  We found out later that she was a Christmas gift for their very spoilt daughter, who had got bored when she was no longer a cute little toy.  There was no indication that a dog even lived in this house, no dog bed, bowl, toys, nothing, so I asked the host where this dog was, as I had never seen a white boxer before. She led me outside to the garden and by the shed was a 9 month old dog, certainly not white, more brown and filthy, on a 1 meter chain so tight it was starting to embed into her neck,  and sitting in the doorway of the shed, she had obviously been there for a long time as the 1m space around the doorway was absolutely disgusting, faeces everywhere, old urine stains and stench, and a half empty filthy bucket of water. Her story was that “she’s a digger” and to be taught a lesson was tied up in disgrace!  No! she was a 9-month-old puppy who was being neglected and abused. She was absolutely delighted to see someone …anyone… and jumped up as far as her chain would allow,  her tail wagging furiously, covering me in old faeces and urine, my heart broke. I went inside so angry with how this dog was being treated, and said that we were leaving. On the way home I cried and told Jeff, my late husband,  about this poor dog.  Early the next day we had a phone call from our friends, this family were going to have Sassy put to sleep unless someone took her. Were they honestly hoping someone would just knock on the door and see if they had a dog they didn’t want? We had just lost Spike our 4-year-old Rottie to Meningitis a couple of weeks before, so were still getting over that loss when this request came in. Our friend asked if we could take her and at least find her a good home. Jeff hadn’t seen her so asked what she was like. I said she has a face only a mother could love but there was something beautiful about her,  a very sweet puppy who obviously didn’t cost enough for this family to feel she was worthy. He went to collect her. As soon as Jeff saw her, he was so angry he couldn’t speak, he just picked up the dog and carried her gently,  to our van. As he left the family tried to say goodbye, they were told in no uncertain terms that they were lucky to not be reported to the RSPCA. It took 3 baths to get her clean. And a few more weeks for the smell to leave the van. We gave her a new life and a new name, Molly, AKA Moo Moos She was adorable, playful and very, very loving, she just loved being in our company. She loved to play, chased balls and sticks, ran like the wind and loved everyone. Molly lived until she was 13 and died of splenetic cancer.  She was buried in our garden in Harvey under a blanket of flowers. She is missed and boy, was she loved. Between hello and goodbye there was so much love. 

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Cruise and Diamond, Pilbara working dogs, "When the working day is done"

“When the working day is done”

A painting for the Cossack Art Awards 2024 “When the working day is done” Cruise and Diamond Pilbara Working Dogs. This is my watercolour entry for the 2024 Cossack Art Awards. I usually paint the native flora and fauna, but decided this year to do what I do best, domestic animals, and so I went looking for an image, I found one on the “Pilbara Working Dogs” Facebook page and was drawn to this image, as its colours were great to reproduce with my own interpretation. I asked for, and obtained, permission to paint this image and found the dogs names were Diamond and Cruise.  I loved the simplicity of the image  along with the classic red dirt of the West Australian outback.  The sketch was drawn using a grid of 4cm square, so made to fit a large frame, I wasn’t sure if I should use white or black framing at this point.  I put in as much detail as I can then very carefully rub out the grid.  the background is in my classic style, using all the beautiful pindan colours of the outback. Australian Red gold (Art spectrum), Quinacridone Sienna (Daniel Smith,) and Dioxazine Purple (Windsor and Newton,) Lemon Yellow (Art Spectrum,) and Cadmium Yellow (Art Spectrum.) painted in large brush strokes then splattered with the paints to blend, and finally water to produce the lighter areas in the colour blocks. Making a start on Diamond and Cruise I loved the image as it has a definite warm and cool side, so I started with my blues and purples for the cool side first, Phthalo Blue (Art Spectrum), Dioxazine Purple (Windsor and Newton), Indigo ( Art Spectrum), are the main colours used, then as I moved to the warmer side I used Quinacridone Purple (Daniel Smith) with my Quinacridone Sienna  and Australian red gold to make a warmer brown tone, the lighter areas had a touch of the yellows in too.  I block in the areas first with quite bold strokes allowing the paint to bleed and soften, gradually building up a couple of layers until there is definite soft structure to the dog, this is done using wet on wet, but not soaked paper.  that I can follow with my next layers. The lighter areas are just more dilute layers of colour.   Once the first dog is blocked in I work on the second dog, same colours, same technique, leaving the eyes until last on the first dog… I always do the eyes last, it’s just a personal preference.  Finishing Touches In  this close up (Click the image to see an enlarged image) you can see the brush strokes and the different colours used, Some of the Quinacridone Purple is mixed with a little white gouache, and in some of the cooler light areas I have used a Light Cobalt (Windsor and Newton), and had to put in the Bengal Rose gouache (Windsor and Newton)  these can be lightened with a little white,  the Quinacridone Purple with the Light Cobalt  make a nice blue that will cover and blend the colours underneath, as the Light Cobalt is opaque when only slightly diluted. I use a fine Liner brush (or Rigger) number 1 or 2.  In the warmer areas I use the liner brush with the yellows, the Red gold, and the Quinacridone Sienna,  to blend. The eyes are completed last, I paint a layer of the Iris in the Australian Red Gold, then lift a little for the highlight area,  repeat another layer and then make a deeper brown, (by adding purple to my Red Gold)  to paint the shading in the Iris.  The Pupil is painted with almost neat indigo, leaving a small area for the highlight, which I paint with a mix of Phthalo Blue and purple mixed, then lift a bit off the blue/purple mix to leave a glassy eye look.  A dot of white gouache, and an outline of indigo and the eye is complete. TIP: Mixing the Australian Red Gold, or the Quinacridone Sienna with the Dioxazine Purple, (or the Quinacridone Purple) make beautiful browns, more purple – the deeper the brown.  With both dogs completed I used my background colours mixed with a tiny bit of white Gouache  to make details on the ground and to stop the dogs from “Floating” in the painting,  adding directional strokes helps. There is a little bit of Daniel Smith Phthalo Yellow Green  in there too.  Click the image to see and enlarged image. Final touch is a splash, quite literally, of Gold Alcohol Ink. I did use my draughtsman pen too, just to add some directional hair strokes.  Wish me luck!

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Paint your pet Workshop March 2024

Day One Paint your Pet workshop  for march 2024 was another successful weekend, with 4 students all creating wonderful pieces of artwork.  My studio is a great space for workshop’s. A maximum of 8 people can sit in a quiet room with great light, the smaller group size means there is more time to spend with each student.  The first step is drawing the image, I prefer to use a grid system for my student teaching as it creates a well proportioned image. It is easy to use and can be used to enlarge or reduce the image sizes, plus work out the best placement for the final image.  This workshop was a Rainbow workshop, using my signature bright coloured backgrounds.  This is how the first stage of painting looks at the end of day 1. Day two With the backgrounds dry and completed we now work on the subjects. I demonstrate various smaller images to show how to paint White, Brown and Black subjects, this helps to explain how my colour theory of warm and cool colours can be used, also the mixing of colours.  The students final work always amazes me, they step out of their comfort zone and experiment with colours they wouldn’t normally dream of. Each finished piece has their individual style, I find now,  most of my students are returning for other workshops,  As you can see each piece is wonderful! the final stages are adding the “Whitework” using a white gouache, and some penwork, some prefer no penwork ,  I prefer the pen as I am more of an illustrator in style, and I like my images to stand out a bit more. I use a Rotoring draughtsman pen for all my pen work.  My Demonstration piece This is “Mr Buttons”, A commissioned portrait that I used to demonstrate my Black animal subjects. As you can see there is no black but a mix of blues, greens, magentas and purples. I use purple under a coat of Indigo for my “Blackest” parts.  Happy faces! Show and tell , not everyone likes to be in photos, but I am always so proud of the work the students produce.  These workshops are relaxed, social events with a huge amount of learning, the fact that my students come back for more means I must be doing something right!  Look out for my workshops, they are advertised on my Facebook page https://www.facebook.com/YvonnesArtwork The next one is a day workshop for the basics of watercolours, suitable for beginners or those already painting,  and for people interested in wishing to take up  watercolour painting but don’t know where to start.  It will cover paper choices, paints, brushes, stretching paper, drawing, mixing colours using my warm and cool palette.  Date: April 13th 2024  Please contact me for more information. 

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Paint your Pet Workshop May 2023

 “Paint your pet in Watercolour,” held in May 2023, was once again a very successful workshop. A beautiful weekend was forecast so the stretching paper demo was able to dry quickly. I usually have about 4 workshops per year,  since the completion of my home studio, I can hold these for about 6 people.  The workshops are split into two days, the first day is a demonstration of the drawing techniques required. I teach  enlarging from a photograph using a simple acetate grid. This is such a handy technique to master as you can not only enlarge but reduce in size too. The simple formula works for simple enlargement of A4 to A3, or even up to the side of a house if necessary! I demonstrated a couple of images, a black greyhound and a black Red Tailed Cockatoo,  the main aim of these workshops is to show how warm and cool colours can be used to create the portraits. Warm colours depict the highlights and cool colours depict the shadows. I chose to demonstrate a bright Rainbow background, and a more natural tonal effect.  The colours I use never change, Lemon Yellow, Australian Red Gold, Bengal Rose (Gouache), Phthalo blue, Bamboo Green (Holbein brand is the nicest blue green I have found as it is bright and beautifully transparent), Indigo and Dioxazine Purple.  Most of these colours can be found in either the Cotman tube ranges (which I recommend for beginners as they are lovely, clear colours, but a cheaper version than the artist quality brands), or the Windsor & Newton range, the other brand I like to use is Art Spectrum, I use tubes of paint verses the pans, as the technique requires large coverage of areas in a short time frame. The final touch is a small amount of titanium white gouache, brilliant for the dots in eyes or stray white hairs, unlike the Chinese White watercolour, which I find is more of a milky glaze than a bright white.  Day 1 Once the outline is drawn with as much detail as possible, we move on to the background. The warm colour area depicts the light source. It is important not to mix certain colours such as the green and Bengal rose as they go very muddy,  not a nice combination, therefore care and thought are needed when placing colours together. I tell the students to think about what colour mixes to what, to get the next colour, for example yellow to red (in this case the Bengal Rose) gives you the oranges.  Day 2 Day two is the fun bit, the actual painting of the subject. The students all did such a great job of their backgrounds, and its not as easy as it looks! There are several different ways of painting with watercolours, the main two are wet on wet and wet on dry, the background is the wet on  wet, but other things affect the process, such as the weather, too hot and it dries way too quickly, to humid or damp and the water takes too long to dry leading to muddy blending. The splashes of paint, that help to blend the colours, are added in several layers as the paint dries. I teach several effects at this stage, if you want to know more….. book into a workshop! How awesome are these! All the examples of finished work are amazing, they should be very proud of their work. .  Even though there is a common theme, everyone’s piece is so different. If the student doesn’t want a really bright image, the colours can be toned down or used in other ways and yet still look “Normal” to the eye. It’s amazing how the eye and brain evaluate the images. You almost don’t notice the bright green or pink that are subtly used in the subject on first glance.  Sadly one of the students couldn’t complete her second day, so I finished her painting off for her, she had made such a tremendous start it seemed unfair that she go home with only half a dog, and it was another example for me to  demonstrate.  I use my images reverted into monochrome as examples to show how the colours really look as tones. This is why the brain usually accepts them as  a “Black dog” instead of a “blue and yellow dog”. I know which of the paints I use have similar tonal values when dry, so I can swap out the Phthalo blue with green, or the magenta with purple.  By the end of the weekend there has been some amazing art created, each one unique, and everyone seems to take away something different from the experience, whether it be a new skill, or a new understanding of colour.  I just hope that they all take away a memory of a fun weekend,  trying something new, if they change their colour palette that’s Great! If they realise what colours can/can’t be mixed that’s great too.  I hope they go away with new ideas and a fun take on a technique. It’s all about learning and enjoying the experience…. having a dabble in a safe space. There’s no right and wrong with art, just a different perception. 

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