watercolour Archives - Yvonne’s Artwork

Yvonne Chapman-Brooks

Biography I was born in the UK in 1962 and have been painting all my life. After leaving school at 16 I went to art college for 2 years then onto Lanchester Polytechnic, (now Coventry University) in Coventry UK, where I completed a 3 year BA(hons) course in Graphic design, finishing in 1983….pre computers! In 1983 on leaving Polytechnic, jobs were scarce, in 1985 I started my State Registered Nursing at Leighton Hospital in Cheshire. This nursing role took me to Australia in 1989. Sadly ill health meant I and had to leave nursing, so I concentrated on my art as a hobby. I used pastel and acrylics as my main mediums, then began including textiles in 2009. My hobby and passion is my art, and around 2013 I started exploring watercolours, my specialty is pet portraiture, animal paintings and recently tree-scapes. I am known for my very vibrant colours. I have been sending my pet portraits worldwide now for several years and have won prizes for my art in Art Exhibitions in WA. I have given workshops in my rainbow colour theory technique. I am the Artist in residence at Vineyard 28 in Harvey, Western Australia. Painting and textile workshops I also work with textiles and have won awards in the USA and Australia for my art quilts. I specialise in thread painting and have held workshops in this technique. My watercolour workshops are a perfect way to explore the watercolour medium beyond the normal parameters of colours, by using the vibrant colours seen in my portraits. The techniques used to create the signature background of my work are demonstrated, along with the stretching of watercolour paper, and drawing from a photo using a grid. There is a materials list of requirements, paints, brushes etc if you would like to do a workshop with me. The workshops are held over two days as there is a lot to learn, and in groups of 6 to 8 people. I can come to you if you are a group that would like to have a visiting tutor. There is a fee for travel and accommodation. The following paintings shown are students work, so far no one goes home without a painting they are proud of, and an idea of how bright colours can work to create highlights and shadows. Textile workshop students I have held a couple of textile workshops and demonstrations in Perth, for various groups of ladies who want to have a try at Free motion sewing. They are held over an 8 hour day as there is quite a lot of ground to cover. They leave with having experienced the basics of how to reach a finished image using just straight and zigzag stitching. Below is my finished “Out of the Ashes” that they are using as reference for this workshop. Tree scape workshop Some examples of student paintings at the Tree Scape workshop. If you would like to attend or enquire about me hosting a workshop for you please contact me using the commission request, or email yvonnechapman841@gmail.com

A look back over 2024

Well as we say goodbye to 2024 and hello to 2025! I would like to wish you all a very happy New year. Thank you all for you continued support for my artwork, and for those who entrusted me with creating a loving memory or portrait of your pets, (several this year went overseas to the USA) A big thank you to all of you. As I look back on the last 12 months we have seen some sad changes in the Brooks household, the main one being the loss of our beautiful Greyhound, Daisy. Daisy was my muse for over 11 years, and she will be greatly missed. Luckily, I have several paintings of her dotted around the house, along with Otis who we lost at the end of 2023, so they will always be looking over us. The last year started with my shoulder surgery which meant no art for nearly 4 months, then the creation of my art quilt for the Australian Quilt Challenge “Oh my stars” where my quilt was selected as a finalist to tour the Eastern States. It has now returned and is hanging on my wall alongside “Saving Magic” It is great to see them daily hanging together. I ran a couple of workshops last year and will be planning a couple for this year too. Watch this space or follow my Facebook page for details. https://www.facebook.com/@YvonnesArtwork/ Cossack Art Awards this year was another good exhibition for me too, with a sale and a Pilbara Ports People Choice award, for “When the working day is done,” that was a wonderful award to win and one of my best paintings for the year. It is too hard to choose a best piece or best portrait as I love doing all of them. I have a couple to do for the New year, and a few for home and for sale at the cellar door at Vineyard 28 I look forward to sharing them with you on my website and on my Facebook page. Have a very safe, prosperous, and healthy 2025 everyone.

My Art Journey begins

London Road School of Art and Design, Northwich, Cheshire My art journey begins as a teenager ready to leave school after my O’ levels in 1978, I was interviewed by our school careers advisor. He asked “What was my typing and shorthand like?.” Pretty rubbish, “So what did I think about hairdressing?” Was this it… secretary or hairdresser…was this all a Grammar school Careers Advisor could recommend? “What was I good at? What did I love doing?” Well that was easy, Art… loved it! I had been creating art and craft all my life, thanks to good old “Blue Peter” and “Vision On”. Valerie Singleton and Tony Hart had a lot to answer for regarding my love of art. “Well… go to art school then! Here’s some numbers to ring and the names of people to speak to. Bye. Next!” So I went home, not offended by the lack of enthusiasm of my careers advisor, but with ideas of going to art college. On the final School Parents evening Mum asked my art teacher if she thought I’d get in to Art College, she replied “Oh yes the standard’s not that high!”well obviously my standard got me though the interview, So London Road School of Art and design, Northwich, Cheshire… here I come!I attended a 1 year Ground Course, where we covered everything, art, design, 3D design, woodwork, metalwork, photography, ceramics, printing, and life drawing. I took my A level art a year early and passed.This lead to a second year at London Road on the on the Foundation Course, covering everything again in more depth and with art history added. It was a great 2 years. I learnt so much, more than I ever imagined I could do. I loved it. The lecturers were amazing, approachable and enthusiastic. This course prepared me for Polytechnic. Coventry Lanchester Polytechnic Art and Design building Priory Hall student accommodation, Coventry Lanchester Polytechnic Coventry Cathedral UK I decided to study Graphic Design, against my tutors advice, he wanted me to go for 3D design, but I was accepted to my first choice Coventry Lanchester Polytechnic. I was born in Coventry so felt I was going to a place that meant something to me, and the course looked promising. I was living on the top floor of the Priory Hall G block, one of three accommodation blocks. I had great views over Coventry and the swimming baths behind. we were right opposite the Coventry Cathedral ruins, Bombed during WW2, and the new Cathedral. The next 3 years went in a flash. I made life long friends and learnt skills that I would use throughout my artistic career. I think perhaps a fine art degree would have been more suited to me, as I found graphics very rigidly structured and to me, claustrophobic. I didn’t always create typical “Graphic Design” projects and was not encouraged to colour out side of the lines as I thought outside of the box, as it were. I found a few of the tutors unhelpful in comparison to my foundation course, they were hard to please and to find having set the brief, then disappeared. By the end of my 3 years I felt rather lost and disillusioned. One thing it did do was teach me a myriad of drawing, illustration and technical skills. The course covered computer design but using punch cards. It was 1980, no computer involvement in the design process in those days. I didn’t do very well at that part of the course. There was no quick way to print either.. we had to hand set our typefaces for printing, we had Typeface books with different size type face so we could trace words on to layouts. We learnt about using ems and ens, point sizes and spacing, plus hundreds of typefaces to think about. It wasn’t easy, but I remember a sense of achievement when you saw the printed page., until you noticed a letter the wrong way around….I passed my 3 year course with a BA(hons) Unfortunately in 1983 jobs were scarce. In 1985 I swapped career paths and started a State Registered Nurse training. I dabbled with various art and crafts throughout the next few years, and emigrated to Australia as a Registered Nurse, with a good hobby. Unfortunately my health meant I had to stop work, and art became my lifeline and my saviour. I think my style now is best described as illustrative, and the skills I use today were definitely founded in those 5 years study at art college. I now teach art to a small group of ladies, and do my commissions and workshops, If I had my time again I would have gone on to do my teaching degree, straight after my art degree, and looked to teach art at polytechnic or university. I have the best hobby I could ever wish for. I found that animals were my best work, and I love peoples response to commissions I do for them. My style has adapted over the years, it means I never get bored. I always have something I can do to fill my time, that is fun and rewarding.

For Wilma

For Wilma, a beautiful senior Greyhound who touched my heart . In 2015 I was developing my watercolour style and my Rainbow colouring palette. I was producing a painting for a friend in New Zealand, Tracey, who had a Greyhound called Wilma. Wilma had been rescued as a senior and was afraid of everything, but with Tracey’s help Wilma slowly began to trust. I had just adopted Daisy so we had greyhounds in common, we were both new to Greyhound rescue and were discovering more and more about the Greyhound racing industry and these amazing dogs. Tracey, appalled at how Wilma had been abused, dedicated her time to uncovering the murky truth behind the Greyhound racing industry, and found that the abuse and mistreatment, drugging and killing of greyhounds was rife throughout the industry. Tracey opened a Facebook page Called “Saving Wilma. – slow, broken, old, Greyhound Racing’s dirty little secrets” and held fundraisers, raising money and awareness for Greyhound rescues. I painted portraits of Wilma for auction, and gave away portrait vouchers to raffle. The fundraisers were huge with a world wide following. I was following a page by Paul Croes,who is based in Belgium and has produced some amazing animal photography. Paul Croes- Behind eyes- animal photography in studio He photographed sighthounds in the most exquisite poses, and I asked If I could paint one of these poses, a white Galgo, as a subject for a fundraiser. He very graciously said yes! I started this portrait as a prize for the auction, and while painting got the awful news that Wilma had died. This was such sad news, she was the gentlest dog and had only just begun to have her own sweet life. I decided to name the painting after Wilma, and hinted at wings in the background. This has been one of my most popular images, and is available as a print from Print Art NZ https://www.artcollective.co.nz/product/for-wilma/ I was delighted at the response from the public regarding this painting. In my heart it was for all the fallen Greyhounds, but it will always be a reminder of a sweet old girl from New Zealand called Wilma, who became a well known name in the rescue of Greyhounds, and in whos name, thousands of dollars were raised to help other rescues around the world. Since painting this portrait, I have donated portrait vouchers to many rescues and fundraisers, and had the delightful task of painting some amazing animals over the past years. I hear some sad stories, stories of triumph over adversity, and hear of heartbreak as a beloved pet dies. I love painting these portraits for you, it is such an honour to be asked to create a memory, even a sad one, and tears are the best compliment I can be given, it means I got it right.

“It’s Time.” Goodnight Daisy

“It’s Time” Goodnight Daisy. Daisy was my introduction to the wonderful world of rescued greyhounds. I adopted her through GAP, Perth, when she was just a little over 3 years old, she was tiny, weighing just 19kg.Her story to this point had its ups and downs, she had raced 4 times and didn’t place as she didn’t like getting bumped, so she ran wide. Daisy went into the GAP rehoming program, and was part of the Greyhound Prison Rehabilitation program, where inmates train and help the greyhounds get ready for adoption. Daisy was adopted by a couple, but unfortunately, was not treated well. This sweet little Greyhound was very emaciated, very withdrawn and covered in fleas, they dumped her back with GAP saying they “Couldn’t be doing with her.”Daisy went on to a couple of foster homes, but was reactive to cats, rabbits, chickens and birds. I had just lost Max, a Border Collie cross, and was looking for a companion for our Labrador Cross, Harvey. I took Daisy as a foster. This poor little girl was so tiny, I nicknamed her my “little bird,” as she felt so fragile. She was beautiful but had the worst breath imaginable. Her teeth were so rotten, her gums terribly infected and ulcerated, and she must have been in terrible pain when eating. I asked GAP, “What do we do about her teeth?” I was told “Nothing until she’s adopted! “I was horrified, how long had this sweet girl been in such discomfort? This was so cruel! I adopted her there and then, and took her straight to the vet. She took 6 weeks of treatment, steroids and antibiotics, before they could do any dental work, and slowly, over the years, her teeth were all removed, bar 1. If I had known then what I knew after all her teeth were out, that she could eat really well, I’d have done it sooner. As a direct result of her terrible dental care in early life, Daisy developed severe cardiac problems. Daisy was a happy girl, very easygoing, dainty and quiet. I was lucky enough to be in her life for 11 and a half years. Daisy and Otis, my other Greyhound, were seen at greyhound adoption meetings, and were a brilliant ambassador for the breed. I loved their elegance, the way the ran for fun, their crazy zoomies around the garden, and hours of couch surfing. Daisy became my muse. Several paintings of her graced my walls, she was dainty, sleek, a stunning subject. Through Daisy I became involved with several Greyhound and dog rescues, donating artwork for Auctions. My commissioned art work became popular within the greyhound, and Sighthound groups. I didn’t realise when I fell in love with Greyhounds that I had joined a cult. Daisy died at 14 years 4 months. Longer than ever expected considering her severe heart failure. She surprised us and out lived Otis by 10 months. Once again my heart was broken, but we did give her the BEST life we could, and she repaid us tenfold. I painted “It’s Time” before she died, when she was quite ill and it was obvious time was no longer on our side. I knew that once Daisy died I wouldn’t be able to paint her. I chose to paint her this final time, depicting the moment she leaves for the Rainbow Bridge. Her face alert and intrigued, her body just starting to disappear into the light. And just like that….She has gone….. Daisy, my “Little bird,” run swift and free sweetheart, you were so beautiful. We walked some happy and amazing miles together. Between Hello and Goodbye there was so much love.

Paint your Pet Workshop May 2023

“Paint your pet in Watercolour,” held in May 2023, was once again a very successful workshop. A beautiful weekend was forecast so the stretching paper demo was able to dry quickly. I usually have about 4 workshops per year, since the completion of my home studio, I can hold these for about 6 people. The workshops are split into two days, the first day is a demonstration of the drawing techniques required. I teach enlarging from a photograph using a simple acetate grid. This is such a handy technique to master as you can not only enlarge but reduce in size too. The simple formula works for simple enlargement of A4 to A3, or even up to the side of a house if necessary! I demonstrated a couple of images, a black greyhound and a black Red Tailed Cockatoo, the main aim of these workshops is to show how warm and cool colours can be used to create the portraits. Warm colours depict the highlights and cool colours depict the shadows. I chose to demonstrate a bright Rainbow background, and a more natural tonal effect. The colours I use never change, Lemon Yellow, Australian Red Gold, Bengal Rose (Gouache), Phthalo blue, Bamboo Green (Holbein brand is the nicest blue green I have found as it is bright and beautifully transparent), Indigo and Dioxazine Purple. Most of these colours can be found in either the Cotman tube ranges (which I recommend for beginners as they are lovely, clear colours, but a cheaper version than the artist quality brands), or the Windsor & Newton range, the other brand I like to use is Art Spectrum, I use tubes of paint verses the pans, as the technique requires large coverage of areas in a short time frame. The final touch is a small amount of titanium white gouache, brilliant for the dots in eyes or stray white hairs, unlike the Chinese White watercolour, which I find is more of a milky glaze than a bright white. Day 1 Once the outline is drawn with as much detail as possible, we move on to the background. The warm colour area depicts the light source. It is important not to mix certain colours such as the green and Bengal rose as they go very muddy, not a nice combination, therefore care and thought are needed when placing colours together. I tell the students to think about what colour mixes to what, to get the next colour, for example yellow to red (in this case the Bengal Rose) gives you the oranges. Day 2 Day two is the fun bit, the actual painting of the subject. The students all did such a great job of their backgrounds, and its not as easy as it looks! There are several different ways of painting with watercolours, the main two are wet on wet and wet on dry, the background is the wet on wet, but other things affect the process, such as the weather, too hot and it dries way too quickly, to humid or damp and the water takes too long to dry leading to muddy blending. The splashes of paint, that help to blend the colours, are added in several layers as the paint dries. I teach several effects at this stage, if you want to know more….. book into a workshop! How awesome are these! All the examples of finished work are amazing, they should be very proud of their work. . Even though there is a common theme, everyone’s piece is so different. If the student doesn’t want a really bright image, the colours can be toned down or used in other ways and yet still look “Normal” to the eye. It’s amazing how the eye and brain evaluate the images. You almost don’t notice the bright green or pink that are subtly used in the subject on first glance. Sadly one of the students couldn’t complete her second day, so I finished her painting off for her, she had made such a tremendous start it seemed unfair that she go home with only half a dog, and it was another example for me to demonstrate. I use my images reverted into monochrome as examples to show how the colours really look as tones. This is why the brain usually accepts them as a “Black dog” instead of a “blue and yellow dog”. I know which of the paints I use have similar tonal values when dry, so I can swap out the Phthalo blue with green, or the magenta with purple. By the end of the weekend there has been some amazing art created, each one unique, and everyone seems to take away something different from the experience, whether it be a new skill, or a new understanding of colour. I just hope that they all take away a memory of a fun weekend, trying something new, if they change their colour palette that’s Great! If they realise what colours can/can’t be mixed that’s great too. I hope they go away with new ideas and a fun take on a technique. It’s all about learning and enjoying the experience…. having a dabble in a safe space. There’s no right and wrong with art, just a different perception.

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