Blog

Yvonne Chapman-Brooks

Biography   I was born in the UK in 1962 and have been painting all my life.  After leaving school at 16 I went to art college for 2 years then onto Lanchester Polytechnic, (now Coventry University) in Coventry UK, where I completed a 3 year BA(hons) course in Graphic design, finishing in 1983….pre computers! In 1983 on leaving Polytechnic, jobs were scarce, in 1985 I started my State Registered Nursing at Leighton Hospital in Cheshire. This nursing role took me to Australia in 1989.  Sadly  ill health meant I and had to leave nursing, so I concentrated on my art as a hobby. I used pastel and acrylics as my main  mediums, then began including textiles in 2009. My hobby and passion is my art, and around 2013 I started exploring watercolours, my specialty is pet portraiture, animal paintings and recently tree-scapes. I am known for my very vibrant colours. I have been sending my pet portraits worldwide now for several years and have won prizes for my art in Art Exhibitions in WA. I have given workshops in my rainbow colour theory technique. I am the Artist in residence at Vineyard 28 in Harvey, Western Australia. Painting and textile workshops I also work with textiles and have won awards in the USA and Australia for my art quilts. I specialise in thread painting and have held workshops in this technique. My watercolour workshops are a perfect way to explore the watercolour medium beyond the normal parameters of colours, by using the vibrant colours seen in my portraits. The techniques used to create the signature background of my work are demonstrated, along with the stretching of watercolour paper, and drawing from a photo using a grid. There is a materials list of requirements, paints, brushes etc if you would like to do a workshop with me. The workshops are held over two days as there is a lot to learn, and in groups of 6 to 8 people. I can come to you if you are a group that would like to have a visiting tutor. There is a fee for travel and accommodation.  The following paintings shown are students work, so far no one goes home without a painting they are proud of, and an idea of how bright colours can work to create highlights and shadows.   Textile workshop students I have held a couple of textile workshops and demonstrations in Perth, for various groups of ladies who want to have a try at Free motion sewing.  They are held over an 8 hour day as there is quite a lot of ground to cover. They leave with having experienced the basics of how to reach a finished image using just straight and zigzag stitching.  Below is my finished “Out of the Ashes” that they are using as reference for this workshop. Tree scape workshop Some examples of student paintings at the Tree Scape workshop.  If you would like to attend or enquire about me hosting a workshop for you please contact me using the commission request, or email yvonnechapman841@gmail.com

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Australia's Bouquet Textile art by Yvonne Chapman-Brooks

Textile artwork “Australia’s Bouquet”

Making a quilt to represent Australia This quilt was made for the Australian Quilt Challenge, theme was Made in Australia, Flora and Fauna, talk about right up my street! Animals and free motion sewing, what more could I ask for.  I had several ideas for this one but the main one was Where do I start, what do I leave out and what do I put in? so many choices so I had to narrow it down somehow, so I settled on the fauna and flora emblems for each state of Australia. Several hours of research for the right image lead to some fantastic images, which were drawn, a pattern made using the acetate pattern Trace and Place method I have used in my previous quilts, then material resourcing.  If I can, I like to use my own hand dyed fabrics, that way I can create colours to suit the project.  The thread is the most important thing as the thread painting, to me, is what the quilt is all about. It is also the most time consuming.  I use a large selection of machine embroidery threads, as the lustre and colours are fabulous in the final piece, I also use cottons and even really cheap threads, Its all about the colour and texture.   Construction As for the previous Quilts I have shown on here, True Blue Mates, and Saving Magic the construction is the same, pieces of fabric placed onto calico and bonded with Vliesofix, a heat bonded webbing,  then thread painted in the direction of the fur, this makes a realistic finished image. This is the cut out, and attached or overlaid onto other pieces to form a small panel. easier to work with, and finally these panels are sewn and overlaid together. Any extra bulk on the back where panels have overlaid is cut away to make the quilt easier to manage.  Composition is important Now that I had all the animals and birds in place I can see where I need to full in the spaces. Luckily I need Golden Wattle, gum flowers plus kangaroo paws  and Pink Health, so I can fill in these gaps with those. It takes quite a lot of fiddling and moving the individual images to create the finished look, I photograph them and look at the overall aesthetic shape, is it balanced,  how does the eye work around the final composition? which way the images face, inwards or out, taking your eye to other pieces, size, shape, colour. At this point I still didn’t know what I was going to end up with, I decided to make the whole thing look like a bouquet for the viewer, so I had to build symmetry.   Finishing the Quilt I thought about several different colours for the background, Black, Dark Blue, Green, even Aboriginal print fabric, but the patterned fabric were way too busy and detracted form the final image, therefore it was a toss up between black and deep green. I settled for black making the colours really POP! It was quilted with footprints of the emus, Kangaroos and wombat.  Flora and Fauna depicted Western Australia:  Black Swan, Numbat, Kangaroo Paw South Australia: Hairy nosed wombat, Magpie (Pippin Strike) Sturts Desert Pea Australian Capital Territory: Royal Bluebell, (No animal emblem) Gang-Gang Cockatoo  New South Wales: Waratah, Platypus, Kookaburra Victoria: Pink Heath, Leadbeaters possum, Helmeted yellow Wattlebird Tasmania: Blue Gum, Tasmanian Devil, Yellow wattlebird Northern Territory: Wedge tailed Eagle, Kangaroo, Sturts Desert Rose Queensland: Brolga, Cooktown Orchid, Koala Additions Emu and Golden wattle from the Australian Coat of arms.  The quilt was selected to be judged at the Australian Quilt Challenge in Melbourne in 2017, and went on tour around Australia, and on display on Mexico, representing Australia. It went to the Mancuso World if Quilts in New Hampshire USA for 2018, the judges comment was that “the thread painting was an excellent example but perhaps a different colour for the black background”. This quilt took 10 months to make. 

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