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The Four Seasons of Harvey. A quilt.

The Four season of Harvey The Four Seasons of Harvey was a quilt that started my quilt journey back in 2008.  The local Art society and the local craft groups in Harvey, a small town in the Southwest of  Western Australia, decided to hold a joint exhibition in the Harvey Districts Creative Arts Centre , so we picked a theme, “The Four Seasons.” I decided to make a quilt as I was just beginning to learn how to do free motion machine sewing, and thread painting.  I decided to do a large quilt, 1.3M wide by 2.4M long, to fit in my hallway in a house I was renovating. It took a full year to make and is the largest free motion piece I have ever done.  The quilt was constructed in 5 panels, the top one for the sky and distant hills, which would be finalised with gum leaves, blossoms and gum nuts. The second depicted both the orange orchards that Harvey was known for, and its Dairy produce.   The Orange trees are laden with fruit in the middle of the piece, then back to bare trees. The paddocks show the seasonal changes as they go from grass to hay, (I used upholstery ruching for this,) which is then harvested and baled, and  finally covered in grazing cattle. The third panel was probably my first big challenge. The cows in Harvey represent the beef and dairy industry, and in town there is a historic old abattoir, which is now slowly, sadly,  falling to pieces, but at the time had a water tank and windmill still intact.  The main cow was from a photo taken by a friend of mine, Bryan Waller, who allowed me to use his image, a cow licking its nose leaning over a fence. This was the main subject piece for this panel.  By now I had some practice with my free motion and piecing of images, so the cow was the first thread painted piece that I felt really proud of.  The other cows consisted of appliqued pieces cut from printed fabric, and two images taken from  paintings of mine, and fabric pieced and sewn. I was also quite proud of my building too, it looked textural and 3D .  From drawing to pieced  image, to sewn. Note the collie next to the cow. I had jsut recently lost my collie cross dog Max, so decided to put him into the quilt.  Getting adventurous! Vineyards in the Harvey region are represented by grape vines. I tried to depict the changing season by first showing empty vines, then vines with green and black grapes with a full ripe bunch in the centre. The late harvest is shown in rust and orange tones, and then the vine goes back to to being an empty vine.  This was very ambitious for me. I was using different fabrics and sewing with metallic thread, something I found really difficult over several layers of fabric. Very frustrating when the thread kept snapping.   I used beads to create 3D texture to the finished piece, and the main bunch was a mix of velvets and hand dyed cotton.  Max made his second appearance in this panel too.  Wild Flowers The next panel depicts the spring wild flowers,  Spider Orchid, Blue enamel orchid, Donkey Orchids, Banksia, Poppy. I also added some Blackberries, not native to WA but I had found some in Tasmania and they reminded me of home, plus, I wanted to make some as I had found perfect black beads! There was a lot of beading on this piece. I searched for ages to get beads that I could use in this quilt.  The magpie with his ever watchful beady eye was fun to make, I like him,  I think he adds character.  In WA we have magnificent coloured Splendid Fairy Wrens, the males are the most spectacular blue during mating season.  Waterways Around Harvey are rivers and waterways plus irrigation ditches for the paddocks, in them there is an abundance of wildlife, kingfishers, ducks, dragon flies and frogs.  Now I was getting really adventurous! I made my own fabric using silk tops and PVA glue, this meant I could cut it to shape and sew it! I used it on the breast of the central front facing duck, which I was really proud of, and my Bobtail Lizard, made entirely of silk paper. A little bit of thread painting and free motion sewing and they were the best pieces so far! The bottom branch was also made entirely of silk paper and thread painted.  By now though I had been sewing for almost a year, so my technique improved and my confidence had grown, setting myself more challenges.  Finishing the Quilt Finishing touches were placed around the quilt to bring the quilt together, Bees, extra birds, Oranges and gum flowers. construction was challenged using my tiny Janome sewing machine, and was completed using two tree trucks as a frame. I was so pleased with the finished quilt. It was a journey of discovery and firsts, along with  learning a technique that grew as the quilt grew, I grew in confidence. My next quilt was even better! That’s  for the next blog…. The Four Seasons exhibition was a great success with a great mix of art and craft.  My quilt was entered into the 2009 WAQA quilt exhibition where I entered it under the Theme for that year  “Natures Beauty.” It WON! It also won Peoples Choice, Members Choice and went on to the BEST OF THE BEST Exhibition in Melbourne the following year. Not bad for an absolute beginner.   It hangs in my home, I have moved form the original house it was designed for, but it still hangs proudly in my entrance hall. 

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Carousel. Tradition with a Twist quilt

Tradition with a Twist was the 2016 Theme for the AQC challenge, I chose to create a “Carousel”. The tradition being a yearly fair that would attend local towns in the Uk when I was growing up, where the favourite attraction was the Carousel. The twist, well I always liked to think I was riding a real horse, so there he is, a real horse in the carousel. I started with a watercolour concept of the four horses I wanted to recreate, then had to replicate this into material.  Making a pattern and placing the fabric Making a pattern is important, I have enlarged my image onto several acetate pieces and drawn the image as detailed as possible.  I reverse this acetate pattern and use it to trace the Vliesofix, a bonding mesh that will be used to iron the fabric on to the calico backing, by reversing the image for drawing I can put the tracing the right way up to place the fabric underneath in the right spot. I call this Trace and Place.  It allows me to place several layers of fabric in the right spot for ironing and bonding, and finally sewing.  Sewing begins As the shapes begin to take place and once layering has been completed Sewing begins. I use only straight and zig zag stitch for all my textiles. I have a very basic small Janome for this so as the quilt gets bigger it can be a challenge to sew. I have a huge stash of thread which I begin to thread paint over my fabric pieces, paying attention to direction, texture and colour.  As sewing is completed on the horse images, I cut them out from their calico backing, making a piece that will eventually be sewn into place, making it in separate pieces means I can keep it as flat as possible with no buckling as I sew. I can also compose the best composition, they look quite stunning on a black background! Making up the background I hand painted the background using acrylic paints mixed with a textile medium for permanence. I was going to have an evening look but decided it wasn’t bold enough, so went with the black and made it night time, this way the lights of the carousel would appear brighter.  I added white globes over the painted light so there would be a glow behind them.  I also added the 3rd and 4th horse poles.    The shine on the real horse is a cellophane Angel Hair filament, when placed between baking paper and ironed it makes a solid web of “fabric” that can be cut to shape and sewn, without losing any of its shine or glitter.  the floor was made from large pieces of fabric, sewn to look like wood, then blended with velvet that had been hand dyed with real bright colours, to create reflected lights.  The finished quilt measured approximately 36 inches square. 90cm x 90cm.  Winning quilt. This quilt was entered into the AQC (Australian Quilt Challenge) in 2016  It very nearly didn’t make it at all, as on the 7th January 2016, when it was halfway though construction, WA’s Largest bushfire threatened our town, having destroyed the neighbouring  town of Yarloop  and tragically, with loss of life. I was evacuated to a nearby town and taken in by really amazing strangers who quickly became friends. They took in a woman with a half finished quilt, a few clothes, a car full of dogs and all stressed to the max! it was almost a week before we were allowed home.  But I finished it.  CAROUSEL was entered and chosen to exhibit with 30 others at the craft exhibition in Melbourne, and around Australia for the next year. It didn’t win anything here, but the following year I entered it into the Mancuso World of Quilts in the USA where it won “Best use of Colour: Innovative section” I was blown away. A major prize!

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