pet portrait Archives - Yvonne’s Artwork

“Paint your pet” workshop August 2025

What a great way to spend a weekend 5 ladies attended my latest workshop, in my studio in Pinjarra WA. The workshop runs from 9.30 am to 4pm both days. The first day was warm and sunny but the second day the weather turned wet and windy. Our first day was supposed to cover stretching paper to use for the weekend, but as the forecast wasn’t looking great, I pre stretched some Archers 300gm paper onto MDF boards for the ladies to use. One lady used a Langton Watercolour block in a 12 x 16 size, I use these blocks too, being gummed on all sides with just a 2 inch gap for separating the paper after use, they are convenient to use without having to stretch the paper. , Day 1: Drawing and background Day 1 starts with the drawing using a grid to enlarge an A4 photograph up to and A3/ A2 size painting. The grid is a very useful tool for this purpose creating an accurate image, that is proportionally correct to the photograph. All the backgrounds on these images are fantastic. This is a challenging workshop, the artist has to work with a completely different technique than they are used to, plus use colours in a very bold and bright way. They have to think about which colours will work together side by side, as some colours do not mix well with others, plus learning how the warm and cool colours will affect the finished painting. Day 2: painting the subject Now the fun starts. Day 2 is very full on with a lot of work to do. Using my warm and cool colour technique to create highlights and shadows, they begin to paint the subject. I do not expect them to go home having mastered this way of painting, it has taken me years to develop my style, and it is constantly being tweaked and adapted as my paintings are created. At first they are nervous to make a start, but with plenty of guidance they all create such wonderful images. Suddenly the bold and bright backgrounds are no longer the main focus as the subject emerges. Another workshop completed and 5 very happy students have taken away paintings they can all be very proud of. My aim in these workshops is to give the student the opportunity to play with colour and to learn that there are so many colours you can use to create the finished painting, even if they never use these colours like this again, just learning that black dogs, for example, are not just black, but blue, purple, green even pink, that white can also have pale tones of blue and purple in its shadows. If you are interested in attending a workshop or if you have a group that wish to attend, let me know via my contact commission form.

Going Incognito for a great cause

This year was the first year I have entered the Incognito Art Show. An amazing 20,000 pieces of art were submitted this year! three of them were mine. Every piece of artwork is A5 in size and is sold for just $100. Profits raised go towards funding programs, supporting artists working with disabilities. There are some very famous prize winning and very well known artists in this show, but that’s the beauty, you don’t know whos art you have until you have bought it. “Our mission… To support arts organisations / To provide emerging artists with professional pathways / To inspire and develop a new generation of art collectors and supporters. The Incognito Art Show is a not-for-profit organisation supporting Australian artists. We run Australia’s biggest and most inclusive art show. “ Give it a go! With this in mind I was eager to have a go. I realised that with so many art works on show, in one place and online, the art had to be bright enough to stand out on first glance, be a recognisable subject that would appeal to a wide audience, be well executed, and a good example of my individual style. So my subjects were easy. Firstly there had to be a greyhound, as greyhound lovers tend to be drawn to art with a greyhound on it, and why not!So my first image was Otis in his sunny spot. Being A5 in size the detail was important to me. I used watercolours, gouache and pen on my finished Image. Second was a Tiger. I love painting tigers, their colours and markings are so beautiful, and they also appeal to a wide audience. I have painted this close up tiger face before on an A2 size. This time I added splashes of gold Alcohol inks to catch the light. With this intense stare it is a hard image to ignore. Thirdly, “The head tilt” a beautiful brown and tan Kelpie. Kelpies have a wide appeal in Australia, the ultimate working dog and loved family pet. Their keenness to work and eager to please attitude makes them a firm favourite. I have painted many kelpies in the last decade or so, some examples were prize winners for me too, so third choice was an easy pick. This one also had that splash of gold alcohol ink to catch the light. So, how did I go? Otis and “The Sunny spot” sold on the first day! My other two sold in the first three days. I was thrilled to be able to contribute to this show and ecstatic they all sold for this great cause.Next year I will encourage more of my students to enter and get a “group pack”. My process will be the same, bright and well executed artwork, plus an appealing well known subject.

Yvonne Chapman-Brooks

Biography I was born in the UK in 1962 and have been painting all my life. After leaving school at 16 I went to art college for 2 years then onto Lanchester Polytechnic, (now Coventry University) in Coventry UK, where I completed a 3 year BA(hons) course in Graphic design, finishing in 1983….pre computers! In 1983 on leaving Polytechnic, jobs were scarce, in 1985 I started my State Registered Nursing at Leighton Hospital in Cheshire. This nursing role took me to Australia in 1989. Sadly ill health meant I and had to leave nursing, so I concentrated on my art as a hobby. I used pastel and acrylics as my main mediums, then began including textiles in 2009. My hobby and passion is my art, and around 2013 I started exploring watercolours, my specialty is pet portraiture, animal paintings and recently tree-scapes. I am known for my very vibrant colours. I have been sending my pet portraits worldwide now for several years and have won prizes for my art in Art Exhibitions in WA. I have given workshops in my rainbow colour theory technique. I am the Artist in residence at Vineyard 28 in Harvey, Western Australia. Painting and textile workshops I also work with textiles and have won awards in the USA and Australia for my art quilts. I specialise in thread painting and have held workshops in this technique. My watercolour workshops are a perfect way to explore the watercolour medium beyond the normal parameters of colours, by using the vibrant colours seen in my portraits. The techniques used to create the signature background of my work are demonstrated, along with the stretching of watercolour paper, and drawing from a photo using a grid. There is a materials list of requirements, paints, brushes etc if you would like to do a workshop with me. The workshops are held over two days as there is a lot to learn, and in groups of 6 to 8 people. I can come to you if you are a group that would like to have a visiting tutor. There is a fee for travel and accommodation. The following paintings shown are students work, so far no one goes home without a painting they are proud of, and an idea of how bright colours can work to create highlights and shadows. Textile workshop students I have held a couple of textile workshops and demonstrations in Perth, for various groups of ladies who want to have a try at Free motion sewing. They are held over an 8 hour day as there is quite a lot of ground to cover. They leave with having experienced the basics of how to reach a finished image using just straight and zigzag stitching. Below is my finished “Out of the Ashes” that they are using as reference for this workshop. Tree scape workshop Some examples of student paintings at the Tree Scape workshop. If you would like to attend or enquire about me hosting a workshop for you please contact me using the commission request, or email yvonnechapman841@gmail.com

The Plight of the Galgo

As you may know I love Greyhounds, I had two beautiful rescued Greyhounds, Daisy and Otis, who I have loved, and sadly lost recently. The story of the rescued greyhound is very similar to another breed, the Galgo, a Spanish hunting dog, very similar to a greyhound, part of the sighthound family, they are used for coursing in Spain. These elegant, beautiful dogs are calm and gentle, like their greyhound relatives, but in Spain they were not viewed as a family dog, but as a “thing” that is disposable. Every year thousands of Galgo and Podenco dogs, another sighthound hunting dog, are disposed of horrifically. It is believed that the more suffering the animal receives in its death, the better luck next season for the Galgueros. This mentality sees the dogs suffering the most inhumane deaths. Thrown down wells, poisoned, beaten, starved, burned or hung from trees, the higher in the tree the quicker the death for the better performing dog, the others hung from low branches, forced to support their own weight on tiptoes, until they tire and hang themselves. This is known as Pianoing. This noble breed is mentioned in ancient history, named “the Spanish greyhound”, and is thought by some popular writers to have descended from Egyptian dogs brought to the Iberian Peninsula the Phoenicians nearly 3,000 years ago.They were protected, with heavy penalties for the abuse or death of a Galgo. Over time these dogs worth has dwindled in the eyes of their hunter owners, it is a travesty that such a wonderful dog has been allowed to suffer brutality and inhumane acts of violence. In Spain they were not given any acknowledgement in the eyes of the law. As a result thousands of dogs have disappeared, unaccounted for. In today’s society Spanish Galgo rescues are pushing for change. A new law, as of January 5, 2022, amends the Civil Code to “provide that animals may no longer be considered ‘things’ but ‘sentient beings’ and family members, and that animal owners are now required to provide proper care to ensure their animals’ well-being in accordance with the characteristics of each species.” I support and sponsor dogs through Galgos Del Sol, a rescue in Murcia, Spain, run by an amazing woman, Tina Wales Solera, and an army of volunteers, Thanks to social media the word is getting around the world about this breed, and its ability to make a perfect pet. Education is the key for the future, teaching the children about respect and love for this beautiful breed. Hopefully they, and future generations will once again regard them as the noble breed they are. I wanted to create the image as a more ethereal version, so here it is black on black with an swirling mist, as the Galgo seems to be invisible to many in Spain, and they disappear without being noticed or recognised. Several animal photographers are bringing the Galgo to the eyes of the world, via social media, with exquisite photographic images. Travis Patenaude of StinkEye Photography, allowed me to use his reference image for this painting. He assists rescues in Spain, and helps with the rehoming of Galgos into the USA. As their popularity grows, Galgos are now being adopted throughout Europe, UK, Ireland, USA, Canada, Scandinavia. The public opinion of Galgo and greyhounds has shifted, seeing them as worthy, loyal and perfect companion animals. They have waited many years for this, now they are being given a voice.Once again they can be a noble breed.

I have your back

“I have your back.” I don’t get to paint horses very often unfortunately, but when I saw my friends photograph of her two horses, Llewella and Persia, it shouted out to be painted. There is a local art prize exhibition in June so I decided to paint this as one of my entries. It is a large painting (910mm x 760mm) and I decided on mixed media, for me, is Oils (water-based) and Acrylic. The two work well together as they are both water based products, and the acrylic used as a base for blocking in saves time and is a fraction cheaper. I use the oils as my top layers and love the way I can layer them with brush and palette knife. The do take longer to dry but there is a fast drying medium that can be mixed with it which does help to speed up the process. Using a grid I drew the image using a 2b pencil onto the primed canvas. I like to prime my canvasses with a good quality gesso, even though the are pre primed, I find the paint seems to adhere better and more evenly. Once sketched I paint in my background using the acrylic paint. Here I have used Dioxazine purple, Indigo and Blue Violet, with a touch of Titanium White. The first horse, Llewella is blocked in using Dioxazine purple, Indigo, Blue Black, Cobalt Blue light, Magenta, and Titanium White. I try to get as much main detail in at this stage, but the more subtle shading and blending will be in the next couple of layers. It is hard not to do too much at this stage, the temptation to produce a finished image quickly has to be reigned in. I finds it easier to make changes when the whole painting is blocked in. Even if at this stage the painting looks great, I always seem to change things. I have now blocked in Persia and this is where the gorgeous warmer tones come into play, they contrast beautifully with the cool tones of Llewella. I realise that the background needs some warmth over Persia so introduce some Magenta Oil paint with the purple. The oils are evident by their sheen in the photograph. I now begin to finish Llewella using the oil paints, making much smoother blending on her body. I do have to be careful not to let the paint get “muddy,” so I spread the painting out over a few days, using the fast drying medium does helps to reduce this. Now I can focus on Persia, enhancing the beautiful warm colours. I use Lemon Yellow, Cadmium Yellow Mid, Orange, Magenta, Dioxazine purple and Titanium White in my oils, over similar acrylic colours. (The orange and Dioxazine Purple make some beautiful browns.) The beauty I find of working with the water-based oils are their buttery texture, they blend so beautifully. The other advantage is no smell and easy soap and water clean up. The drying time is about 2 to 4 weeks, longer if I use the palette knife and thick layers. Unfortunately they don’t have the large range of colours as the mineral oil paints do. When finished, I use the same varnish as I do for my acrylics, 2 coats of Atelier gloss varnish. Almost finished, and I have introduced some cool tones with the cobalt blue light into Persia’s’ mane, plus some warm highlights. A touch of white on the shine in her back and the painting is finished. I have thoroughly enjoyed painting this, I need to paint more horses I think!

My favourite things

My favourite things would definitely be these four characters, Shadow, Daisy, Otis and Charlotte, so I decided to paint their portraits and hang them together as one , as we were redecorating the Background colour was chosen to go with ours new décor. The background is “Atelier Permanent maroon”. The first step was to prime and grid the canvases. Then I sketch in the images. I use a pastel pencil as the graphite pencil can transfer to the paint, and the pastel is much easier to erase. Once my sketches were completed I under painted the canvasses using a burnt sienna, this will help give the white a slightly warmer tone, I find it useful to see where I have painted White areas too, and not missed areas of canvas leaving just primed areas. I use a watery paint to do this and paint the shaded areas in. Once the underpainting is completed I can complete my portraits. Firstly blocking in my subjects then painting in the background. I have demonstrated here with the first portrait of Daisy, the first layer of the background is painted, it needs at least two to cover properly, and I have started to paint the lighter areas of her. The following images of Otis and Charlotte show the blocked in areas, plus some detailed work, Shadow’s face is almost complete, his eyes and the black areas of his body need to be completed. When the portraits were finished I felt I needed to address each character individually, by including their favourite things. For Charlotte it is her ball. She is ball mad and has toy boxes full of them, Her favourite game is to push the ball under something, pool fence, couch, then ask you to come and get it out from under where ever she decided to put it. Once retrieved she immediately pushes it under again… and so it continues. Daisy, being a greyhound was very driven for anything fast moving, her favourite spotting moments were if she saw a rabbit or chicken, she would just stop and stare, in her younger days attempt to chase, but once she had spotted something on her walk, the next few walks she would put the brakes on in that spot and wouldn’t move until she was sure it wasn’t there. Living near orchards and paddocks this made for a long walk. Daisy’s painting shows rabbits and text saying “I Love Mum.” Otis was a very happy boy on his walks, or runs, but he had problems with his toes dislocating and had to wear special greyhound boots, called “Honey boots”. To get ready for a walk meant having his boots on, this lead to a roll on the couch, and the game of the paw of more. Boots finally on he would sprint off into the car. Otis also loved the warm sunny spots in the house and garden so his painting shows a boot and the sun. Shadow‘s favourite thing is easy… It is his Dad. He is a sensitive soul but absolutely adores his dad, he is a very loyal boy, and a wonderful companion. He missed the greyhounds when they died, but needed a dog his own size that would play and tussle, that is why Charlotte came into our family. Charlotte is an American Bull dog, Shadow is an American bulldog, Neapolitan mastiff cross. I hope you have enjoyed the process of making these portraits. My Acrylic paintings are much more detailed and more lifelike than my watercolours. They take anything up to 3 weeks to produce, depending on size. If you would like to see more Acrylic painting examples, have a browse through the gallery section for Acrylic paintings.

My Art Journey begins

London Road School of Art and Design, Northwich, Cheshire My art journey begins as a teenager ready to leave school after my O’ levels in 1978, I was interviewed by our school careers advisor. He asked “What was my typing and shorthand like?.” Pretty rubbish, “So what did I think about hairdressing?” Was this it… secretary or hairdresser…was this all a Grammar school Careers Advisor could recommend? “What was I good at? What did I love doing?” Well that was easy, Art… loved it! I had been creating art and craft all my life, thanks to good old “Blue Peter” and “Vision On”. Valerie Singleton and Tony Hart had a lot to answer for regarding my love of art. “Well… go to art school then! Here’s some numbers to ring and the names of people to speak to. Bye. Next!” So I went home, not offended by the lack of enthusiasm of my careers advisor, but with ideas of going to art college. On the final School Parents evening Mum asked my art teacher if she thought I’d get in to Art College, she replied “Oh yes the standard’s not that high!”well obviously my standard got me though the interview, So London Road School of Art and design, Northwich, Cheshire… here I come!I attended a 1 year Ground Course, where we covered everything, art, design, 3D design, woodwork, metalwork, photography, ceramics, printing, and life drawing. I took my A level art a year early and passed.This lead to a second year at London Road on the on the Foundation Course, covering everything again in more depth and with art history added. It was a great 2 years. I learnt so much, more than I ever imagined I could do. I loved it. The lecturers were amazing, approachable and enthusiastic. This course prepared me for Polytechnic. Coventry Lanchester Polytechnic Art and Design building Priory Hall student accommodation, Coventry Lanchester Polytechnic Coventry Cathedral UK I decided to study Graphic Design, against my tutors advice, he wanted me to go for 3D design, but I was accepted to my first choice Coventry Lanchester Polytechnic. I was born in Coventry so felt I was going to a place that meant something to me, and the course looked promising. I was living on the top floor of the Priory Hall G block, one of three accommodation blocks. I had great views over Coventry and the swimming baths behind. we were right opposite the Coventry Cathedral ruins, Bombed during WW2, and the new Cathedral. The next 3 years went in a flash. I made life long friends and learnt skills that I would use throughout my artistic career. I think perhaps a fine art degree would have been more suited to me, as I found graphics very rigidly structured and to me, claustrophobic. I didn’t always create typical “Graphic Design” projects and was not encouraged to colour out side of the lines as I thought outside of the box, as it were. I found a few of the tutors unhelpful in comparison to my foundation course, they were hard to please and to find having set the brief, then disappeared. By the end of my 3 years I felt rather lost and disillusioned. One thing it did do was teach me a myriad of drawing, illustration and technical skills. The course covered computer design but using punch cards. It was 1980, no computer involvement in the design process in those days. I didn’t do very well at that part of the course. There was no quick way to print either.. we had to hand set our typefaces for printing, we had Typeface books with different size type face so we could trace words on to layouts. We learnt about using ems and ens, point sizes and spacing, plus hundreds of typefaces to think about. It wasn’t easy, but I remember a sense of achievement when you saw the printed page., until you noticed a letter the wrong way around….I passed my 3 year course with a BA(hons) Unfortunately in 1983 jobs were scarce. In 1985 I swapped career paths and started a State Registered Nurse training. I dabbled with various art and crafts throughout the next few years, and emigrated to Australia as a Registered Nurse, with a good hobby. Unfortunately my health meant I had to stop work, and art became my lifeline and my saviour. I think my style now is best described as illustrative, and the skills I use today were definitely founded in those 5 years study at art college. I now teach art to a small group of ladies, and do my commissions and workshops, If I had my time again I would have gone on to do my teaching degree, straight after my art degree, and looked to teach art at polytechnic or university. I have the best hobby I could ever wish for. I found that animals were my best work, and I love peoples response to commissions I do for them. My style has adapted over the years, it means I never get bored. I always have something I can do to fill my time, that is fun and rewarding.

For Wilma

For Wilma, a beautiful senior Greyhound who touched my heart . In 2015 I was developing my watercolour style and my Rainbow colouring palette. I was producing a painting for a friend in New Zealand, Tracey, who had a Greyhound called Wilma. Wilma had been rescued as a senior and was afraid of everything, but with Tracey’s help Wilma slowly began to trust. I had just adopted Daisy so we had greyhounds in common, we were both new to Greyhound rescue and were discovering more and more about the Greyhound racing industry and these amazing dogs. Tracey, appalled at how Wilma had been abused, dedicated her time to uncovering the murky truth behind the Greyhound racing industry, and found that the abuse and mistreatment, drugging and killing of greyhounds was rife throughout the industry. Tracey opened a Facebook page Called “Saving Wilma. – slow, broken, old, Greyhound Racing’s dirty little secrets” and held fundraisers, raising money and awareness for Greyhound rescues. I painted portraits of Wilma for auction, and gave away portrait vouchers to raffle. The fundraisers were huge with a world wide following. I was following a page by Paul Croes,who is based in Belgium and has produced some amazing animal photography. Paul Croes- Behind eyes- animal photography in studio He photographed sighthounds in the most exquisite poses, and I asked If I could paint one of these poses, a white Galgo, as a subject for a fundraiser. He very graciously said yes! I started this portrait as a prize for the auction, and while painting got the awful news that Wilma had died. This was such sad news, she was the gentlest dog and had only just begun to have her own sweet life. I decided to name the painting after Wilma, and hinted at wings in the background. This has been one of my most popular images, and is available as a print from Print Art NZ https://www.artcollective.co.nz/product/for-wilma/ I was delighted at the response from the public regarding this painting. In my heart it was for all the fallen Greyhounds, but it will always be a reminder of a sweet old girl from New Zealand called Wilma, who became a well known name in the rescue of Greyhounds, and in whos name, thousands of dollars were raised to help other rescues around the world. Since painting this portrait, I have donated portrait vouchers to many rescues and fundraisers, and had the delightful task of painting some amazing animals over the past years. I hear some sad stories, stories of triumph over adversity, and hear of heartbreak as a beloved pet dies. I love painting these portraits for you, it is such an honour to be asked to create a memory, even a sad one, and tears are the best compliment I can be given, it means I got it right.

“It’s Time.” Goodnight Daisy

“It’s Time” Goodnight Daisy. Daisy was my introduction to the wonderful world of rescued greyhounds. I adopted her through GAP, Perth, when she was just a little over 3 years old, she was tiny, weighing just 19kg.Her story to this point had its ups and downs, she had raced 4 times and didn’t place as she didn’t like getting bumped, so she ran wide. Daisy went into the GAP rehoming program, and was part of the Greyhound Prison Rehabilitation program, where inmates train and help the greyhounds get ready for adoption. Daisy was adopted by a couple, but unfortunately, was not treated well. This sweet little Greyhound was very emaciated, very withdrawn and covered in fleas, they dumped her back with GAP saying they “Couldn’t be doing with her.”Daisy went on to a couple of foster homes, but was reactive to cats, rabbits, chickens and birds. I had just lost Max, a Border Collie cross, and was looking for a companion for our Labrador Cross, Harvey. I took Daisy as a foster. This poor little girl was so tiny, I nicknamed her my “little bird,” as she felt so fragile. She was beautiful but had the worst breath imaginable. Her teeth were so rotten, her gums terribly infected and ulcerated, and she must have been in terrible pain when eating. I asked GAP, “What do we do about her teeth?” I was told “Nothing until she’s adopted! “I was horrified, how long had this sweet girl been in such discomfort? This was so cruel! I adopted her there and then, and took her straight to the vet. She took 6 weeks of treatment, steroids and antibiotics, before they could do any dental work, and slowly, over the years, her teeth were all removed, bar 1. If I had known then what I knew after all her teeth were out, that she could eat really well, I’d have done it sooner. As a direct result of her terrible dental care in early life, Daisy developed severe cardiac problems. Daisy was a happy girl, very easygoing, dainty and quiet. I was lucky enough to be in her life for 11 and a half years. Daisy and Otis, my other Greyhound, were seen at greyhound adoption meetings, and were a brilliant ambassador for the breed. I loved their elegance, the way the ran for fun, their crazy zoomies around the garden, and hours of couch surfing. Daisy became my muse. Several paintings of her graced my walls, she was dainty, sleek, a stunning subject. Through Daisy I became involved with several Greyhound and dog rescues, donating artwork for Auctions. My commissioned art work became popular within the greyhound, and Sighthound groups. I didn’t realise when I fell in love with Greyhounds that I had joined a cult. Daisy died at 14 years 4 months. Longer than ever expected considering her severe heart failure. She surprised us and out lived Otis by 10 months. Once again my heart was broken, but we did give her the BEST life we could, and she repaid us tenfold. I painted “It’s Time” before she died, when she was quite ill and it was obvious time was no longer on our side. I knew that once Daisy died I wouldn’t be able to paint her. I chose to paint her this final time, depicting the moment she leaves for the Rainbow Bridge. Her face alert and intrigued, her body just starting to disappear into the light. And just like that….She has gone….. Daisy, my “Little bird,” run swift and free sweetheart, you were so beautiful. We walked some happy and amazing miles together. Between Hello and Goodbye there was so much love.

Yvonne’s Artwork

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