pet portrait Archives - Yvonne’s Artwork

My favourite things

My favourite things would definitely be these four characters, Shadow, Daisy, Otis and Charlotte, so I decided to paint their portraits and hang them together as one , as we were redecorating the Background colour was chosen to go with ours new décor. The background is “Atelier Permanent maroon”. The first step was to prime and grid the canvases. Then I sketch in the images. I use a pastel pencil as the graphite pencil can transfer to the paint, and the pastel is much easier to erase. Once my sketches were completed I under painted the canvasses using a burnt sienna, this will help give the white a slightly warmer tone, I find it useful to see where I have painted White areas too, and not missed areas of canvas leaving just primed areas. I use a watery paint to do this and paint the shaded areas in. Once the underpainting is completed I can complete my portraits. Firstly blocking in my subjects then painting in the background. I have demonstrated here with the first portrait of Daisy, the first layer of the background is painted, it needs at least two to cover properly, and I have started to paint the lighter areas of her. The following images of Otis and Charlotte show the blocked in areas, plus some detailed work, Shadow’s face is almost complete, his eyes and the black areas of his body need to be completed. When the portraits were finished I felt I needed to address each character individually, by including their favourite things. For Charlotte it is her ball. She is ball mad and has toy boxes full of them, Her favourite game is to push the ball under something, pool fence, couch, then ask you to come and get it out from under where ever she decided to put it. Once retrieved she immediately pushes it under again… and so it continues. Daisy, being a greyhound was very driven for anything fast moving, her favourite spotting moments were if she saw a rabbit or chicken, she would just stop and stare, in her younger days attempt to chase, but once she had spotted something on her walk, the next few walks she would put the brakes on in that spot and wouldn’t move until she was sure it wasn’t there. Living near orchards and paddocks this made for a long walk. Daisy’s painting shows rabbits and text saying “I Love Mum.” Otis was a very happy boy on his walks, or runs, but he had problems with his toes dislocating and had to wear special greyhound boots, called “Honey boots”. To get ready for a walk meant having his boots on, this lead to a roll on the couch, and the game of the paw of more. Boots finally on he would sprint off into the car. Otis also loved the warm sunny spots in the house and garden so his painting shows a boot and the sun. Shadow‘s favourite thing is easy… It is his Dad. He is a sensitive soul but absolutely adores his dad, he is a very loyal boy, and a wonderful companion. He missed the greyhounds when they died, but needed a dog his own size that would play and tussle, that is why Charlotte came into our family. Charlotte is an American Bull dog, Shadow is an American bulldog, Neapolitan mastiff cross. I hope you have enjoyed the process of making these portraits. My Acrylic paintings are much more detailed and more lifelike than my watercolours. They take anything up to 3 weeks to produce, depending on size. If you would like to see more Acrylic painting examples, have a browse through the gallery section for Acrylic paintings.

My Art Journey begins

London Road School of Art and Design, Northwich, Cheshire My art journey begins as a teenager ready to leave school after my O’ levels in 1978, I was interviewed by our school careers advisor. He asked “What was my typing and shorthand like?.” Pretty rubbish, “So what did I think about hairdressing?” Was this it… secretary or hairdresser…was this all a Grammar school Careers Advisor could recommend? “What was I good at? What did I love doing?” Well that was easy, Art… loved it! I had been creating art and craft all my life, thanks to good old “Blue Peter” and “Vision On”. Valerie Singleton and Tony Hart had a lot to answer for regarding my love of art. “Well… go to art school then! Here’s some numbers to ring and the names of people to speak to. Bye. Next!” So I went home, not offended by the lack of enthusiasm of my careers advisor, but with ideas of going to art college. On the final School Parents evening Mum asked my art teacher if she thought I’d get in to Art College, she replied “Oh yes the standard’s not that high!”well obviously my standard got me though the interview, So London Road School of Art and design, Northwich, Cheshire… here I come!I attended a 1 year Ground Course, where we covered everything, art, design, 3D design, woodwork, metalwork, photography, ceramics, printing, and life drawing. I took my A level art a year early and passed.This lead to a second year at London Road on the on the Foundation Course, covering everything again in more depth and with art history added. It was a great 2 years. I learnt so much, more than I ever imagined I could do. I loved it. The lecturers were amazing, approachable and enthusiastic. This course prepared me for Polytechnic. Coventry Lanchester Polytechnic Art and Design building Priory Hall student accommodation, Coventry Lanchester Polytechnic Coventry Cathedral UK I decided to study Graphic Design, against my tutors advice, he wanted me to go for 3D design, but I was accepted to my first choice Coventry Lanchester Polytechnic. I was born in Coventry so felt I was going to a place that meant something to me, and the course looked promising. I was living on the top floor of the Priory Hall G block, one of three accommodation blocks. I had great views over Coventry and the swimming baths behind. we were right opposite the Coventry Cathedral ruins, Bombed during WW2, and the new Cathedral. The next 3 years went in a flash. I made life long friends and learnt skills that I would use throughout my artistic career. I think perhaps a fine art degree would have been more suited to me, as I found graphics very rigidly structured and to me, claustrophobic. I didn’t always create typical “Graphic Design” projects and was not encouraged to colour out side of the lines as I thought outside of the box, as it were. I found a few of the tutors unhelpful in comparison to my foundation course, they were hard to please and to find having set the brief, then disappeared. By the end of my 3 years I felt rather lost and disillusioned. One thing it did do was teach me a myriad of drawing, illustration and technical skills. The course covered computer design but using punch cards. It was 1980, no computer involvement in the design process in those days. I didn’t do very well at that part of the course. There was no quick way to print either.. we had to hand set our typefaces for printing, we had Typeface books with different size type face so we could trace words on to layouts. We learnt about using ems and ens, point sizes and spacing, plus hundreds of typefaces to think about. It wasn’t easy, but I remember a sense of achievement when you saw the printed page., until you noticed a letter the wrong way around….I passed my 3 year course with a BA(hons) Unfortunately in 1983 jobs were scarce. In 1985 I swapped career paths and started a State Registered Nurse training. I dabbled with various art and crafts throughout the next few years, and emigrated to Australia as a Registered Nurse, with a good hobby. Unfortunately my health meant I had to stop work, and art became my lifeline and my saviour. I think my style now is best described as illustrative, and the skills I use today were definitely founded in those 5 years study at art college. I now teach art to a small group of ladies, and do my commissions and workshops, If I had my time again I would have gone on to do my teaching degree, straight after my art degree, and looked to teach art at polytechnic or university. I have the best hobby I could ever wish for. I found that animals were my best work, and I love peoples response to commissions I do for them. My style has adapted over the years, it means I never get bored. I always have something I can do to fill my time, that is fun and rewarding.

For Wilma

For Wilma, a beautiful senior Greyhound who touched my heart . In 2015 I was developing my watercolour style and my Rainbow colouring palette. I was producing a painting for a friend in New Zealand, Tracey, who had a Greyhound called Wilma. Wilma had been rescued as a senior and was afraid of everything, but with Tracey’s help Wilma slowly began to trust. I had just adopted Daisy so we had greyhounds in common, we were both new to Greyhound rescue and were discovering more and more about the Greyhound racing industry and these amazing dogs. Tracey, appalled at how Wilma had been abused, dedicated her time to uncovering the murky truth behind the Greyhound racing industry, and found that the abuse and mistreatment, drugging and killing of greyhounds was rife throughout the industry. Tracey opened a Facebook page Called “Saving Wilma. – slow, broken, old, Greyhound Racing’s dirty little secrets” and held fundraisers, raising money and awareness for Greyhound rescues. I painted portraits of Wilma for auction, and gave away portrait vouchers to raffle. The fundraisers were huge with a world wide following. I was following a page by Paul Croes,who is based in Belgium and has produced some amazing animal photography. Paul Croes- Behind eyes- animal photography in studio He photographed sighthounds in the most exquisite poses, and I asked If I could paint one of these poses, a white Galgo, as a subject for a fundraiser. He very graciously said yes! I started this portrait as a prize for the auction, and while painting got the awful news that Wilma had died. This was such sad news, she was the gentlest dog and had only just begun to have her own sweet life. I decided to name the painting after Wilma, and hinted at wings in the background. This has been one of my most popular images, and is available as a print from Print Art NZ https://www.artcollective.co.nz/product/for-wilma/ I was delighted at the response from the public regarding this painting. In my heart it was for all the fallen Greyhounds, but it will always be a reminder of a sweet old girl from New Zealand called Wilma, who became a well known name in the rescue of Greyhounds, and in whos name, thousands of dollars were raised to help other rescues around the world. Since painting this portrait, I have donated portrait vouchers to many rescues and fundraisers, and had the delightful task of painting some amazing animals over the past years. I hear some sad stories, stories of triumph over adversity, and hear of heartbreak as a beloved pet dies. I love painting these portraits for you, it is such an honour to be asked to create a memory, even a sad one, and tears are the best compliment I can be given, it means I got it right.

“It’s Time.” Goodnight Daisy

“It’s Time” Goodnight Daisy. Daisy was my introduction to the wonderful world of rescued greyhounds. I adopted her through GAP, Perth, when she was just a little over 3 years old, she was tiny, weighing just 19kg.Her story to this point had its ups and downs, she had raced 4 times and didn’t place as she didn’t like getting bumped, so she ran wide. Daisy went into the GAP rehoming program, and was part of the Greyhound Prison Rehabilitation program, where inmates train and help the greyhounds get ready for adoption. Daisy was adopted by a couple, but unfortunately, was not treated well. This sweet little Greyhound was very emaciated, very withdrawn and covered in fleas, they dumped her back with GAP saying they “Couldn’t be doing with her.”Daisy went on to a couple of foster homes, but was reactive to cats, rabbits, chickens and birds. I had just lost Max, a Border Collie cross, and was looking for a companion for our Labrador Cross, Harvey. I took Daisy as a foster. This poor little girl was so tiny, I nicknamed her my “little bird,” as she felt so fragile. She was beautiful but had the worst breath imaginable. Her teeth were so rotten, her gums terribly infected and ulcerated, and she must have been in terrible pain when eating. I asked GAP, “What do we do about her teeth?” I was told “Nothing until she’s adopted! “I was horrified, how long had this sweet girl been in such discomfort? This was so cruel! I adopted her there and then, and took her straight to the vet. She took 6 weeks of treatment, steroids and antibiotics, before they could do any dental work, and slowly, over the years, her teeth were all removed, bar 1. If I had known then what I knew after all her teeth were out, that she could eat really well, I’d have done it sooner. As a direct result of her terrible dental care in early life, Daisy developed severe cardiac problems. Daisy was a happy girl, very easygoing, dainty and quiet. I was lucky enough to be in her life for 11 and a half years. Daisy and Otis, my other Greyhound, were seen at greyhound adoption meetings, and were a brilliant ambassador for the breed. I loved their elegance, the way the ran for fun, their crazy zoomies around the garden, and hours of couch surfing. Daisy became my muse. Several paintings of her graced my walls, she was dainty, sleek, a stunning subject. Through Daisy I became involved with several Greyhound and dog rescues, donating artwork for Auctions. My commissioned art work became popular within the greyhound, and Sighthound groups. I didn’t realise when I fell in love with Greyhounds that I had joined a cult. Daisy died at 14 years 4 months. Longer than ever expected considering her severe heart failure. She surprised us and out lived Otis by 10 months. Once again my heart was broken, but we did give her the BEST life we could, and she repaid us tenfold. I painted “It’s Time” before she died, when she was quite ill and it was obvious time was no longer on our side. I knew that once Daisy died I wouldn’t be able to paint her. I chose to paint her this final time, depicting the moment she leaves for the Rainbow Bridge. Her face alert and intrigued, her body just starting to disappear into the light. And just like that….She has gone….. Daisy, my “Little bird,” run swift and free sweetheart, you were so beautiful. We walked some happy and amazing miles together. Between Hello and Goodbye there was so much love.

One Last Look

One Last Look, a watercolour portrait One Last Look was a painting I recently finished after having a slight doubt in my artistic abilities. For a while now I have painted pictures that I thought would appeal to the public with a selling point in mind. Each art prize I entered had been largely focused on what would sell rather than what would win a prize. Earlier this year I entered an art prize in a nearby town, which was surrounded by hype and grandeur, and we had to submit our art work. On the entry form it stated that if not chosen our work could be nominated to go into an Extension exhibition. I wasn’t particularly interested in entering this exhibition but a friend talked me into it, so I entered two paintings, both which were my usual style of the bright rainbow colouring, featuring emus. My friend then informed me that around the local circles this exhibition was being touted at the reject exhibition, which we though was rather comical. My work didn’t make the original exhibition but was allowed to enter the “Extension” aka Reject exhibition. Ok, that didn’t bother me too much, I am under no illusion that my work is better than anyone else’s, but I believe my work is of a high standard and I am good at what I do. I have been painting pet portraits for nearly 20 years now. All was well until the opening, A few careless words threw me into doubt about my work and I had a real crisis of confidence… the mayor opening stated “This exhibition is for those who didn’t make the cut” I was actually a little insulted by her words, and when I looked at other artists around me it seemed I wasn’t alone! My friend nearly choked on her finger food! There were several really good pieces by well known artists around the exhibition circuit, and quite a few what I would categorise as student/novice works, so it was a well-rounded exhibition. I am aware that art is sometimes seen as “Elitist” and seems to be getting more and more so, especially in the exhibitions and art prizes these days. Gone are the days of just entering and displaying, now some ask for artist statements and CVS! I decided to enter an art prize that I have entered, and sold at, on previous occasions, in Dalwallinu in Western Australia. So I painted “One Last Look” as a statement of This is me, this is what I do, I don’t mind if you don’t want to buy it, but it is ME… and a very good version of ME. My Therapist. A watercolour study My second entry into the Dalwallinu Art prize is “My Therapist” a watercolour study of my motorbike. It is a 2016 Harley Davidson Softail Deluxe and is my pride and joy, I have painted this in acrylics on canvas but didn’t want to have to display that at the art prize, as items displayed often have to be for sale, so I painted a smaller version that shows what I am capable of doing. I enjoy the challenge of painting chrome work. The detail in the spokes and engine leaves me with double vision, but the challenge was to prove I could do it and do it well enough to be judged on its merit. In future I will be painting what I want to paint for these art prizes, something that reflects on who I am as an artist. https://www.dalwallinuartsfestival.com/

Paint your pet workshop

“Paint your pet” workshop Teaching art is my something I love to do, combine this with teaching you how to paint using my signature style and this makes for a great workshop. Once again I am holding a Paint your pet Workshop. In the past these have proved to be very popular, and the results are amazing. From people with artistic knowledge and experience to the beginners, everyone leaves with a stunning pet portrait. I have taught at several workshops now and each one has been an amazing experience. I have been fortunate to meet some wonderful artists and beginners , and been lucky enough to help them on their art journey. A great learning opportunity At one of my workshops you will learn a few valuable tools to enable you to paint from a photograph. Pet portraits are fun as you already have great knowledge about your chosen subject, and that helps with the fine detail. DAY ONE Step one: Learn how to stretch watercolour paper. This is so the paper dries flat when you apply large amounts of water. The paper is soaked so the paint will run and blend during the process of painting the background. Without stretching the paper it will dry buckled, this doesn’t come out either, making framing almost impossible. You can create a fantastic piece of art that is ruined by buckled paper. Enlarging a drawing from a photograph Step two: You will learn is how to use a grid to enlarge a photograph. This is a fantastic way of enlarging or reducing an image, you can pick out fine detail, shading, shapes and know the proportions and the placement is correct. Essential for a good pet portrait! Here two students, one a total beginner, are enlarging their photographs. This was from a workshop in the Porongorups, WA Step Three: Learn about warm and cool colours and how to paint “wet on wet” to achieve my signature backgrounds. I give you a material list of paints to buy and brushes that will be used in this workshop, that way everyone is using the same colours as I use, a great way of making a start to your art supply collection. I use tubes of watercolour paint as they go further and spread easily during the wet on wet process. Once the portrait is drawn the background is completed. That concludes day one of the workshop. DAY TWO Step four: The next day students learn how to paint the portrait, what colours to use to achieve my signature rainbow styling, and tips and hints to achieve a great portrait. Step five: Pen work. I use pen work on top of my portraits to add extra depth and texture. I use a draftsman Rotoring ink pen but a artline fine marker works just as well. Finally the white gouache, the end touch, the dot in the eye or highlight that finishes the portrait. Not one student has left any of my workshops so far without a fantastic painting. I am thrilled that some have attended several of my workshops, and all students agree they have learnt a lot of valuable information during the workshop. I like to think that I can help them to gain confidence and most of all enjoy the process. The workshops are full on, busy, and most of all FUN! Want to book a workshop? My workshops are advertised on my Facebook Art page, the next on is the 18th and 19th of March, 2023, where I have 3 places still available. The cost is $250pp. You can contact me about doing a workshop, either by using the contact form on this website, or through my Facebook page. I work in my studio at my home in Pinjarra, Western Australia, and can take 6 comfortably in a class. Otherwise if you can rustle up some like minded friends, (no more than 10) I could possibly come to your venue, within Western Australia. (travel cost apply to workshops in states outside the southwest WA) https://www.facebook.com/YvonnesArtwork/

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