
Paint your pet workshop. April 2026
Another pet portrait weekend workshop was held last month, for 8 people, all of whom have attended my workshops in the past. It was a beautiful warm weekend, and fun was had by all.The first day consists of preparing the portrait, and drawing the subject onto pre stretched watercolour paper. Some of the attendees chose to have me pre stretch for them, I usually have boards of pre stretched Arches 300gms watercolour paper, in case the weather is wet or humid, which would mean the paper would take much longer to dry properly. Day 1 I provide acetate grids with 2cm squares marked, large enough to cover an A4 photograph. The pre stretched paper is divided in to 2.5cm, (or 1 inch) squares which enlarges the image to fit a 12×16 inch, or roughly A3 size. I do suggest that the grid and portrait be sketched using a 2B pencil. Anything harder, especially for the grid, leaves indents in the paper which can be visible when painted. The grid lines are drawn really feint as these have to be fully erased using a kneadable putty rubber, once the sketch is complete. There is nothing more annoying that painting a beautiful portrait only to see grid lines still visible. After a break for lunch, we begin painting the background, using a wet on wet technique, and the bright colours seen in my portraits. day 2 Day two starts early again as there is a lot to do. The next step, once the backgrounds have been completed and are totally dry, is to start the subject. I suggest starting with the light colours and highlighted areas of the portrait first. for white fur areas we start with the pale blue shading as this really crisps up any white fur. In coloured fur start with the lightest parts where the light hits the subject. There is a lot to take in during this process, the colours used, are not the usual colours, I like to give students the chance to play with the colours using a warm and cool palette, the warm colours are for the highlights and the cool colours for the shadow. The layering of colours build up the shadow areas, and instead of black, purple and indigo are used. There are tricks to getting the eyes to look glassy, we leave the eyes until the body and head are completed and totally dry.Finally the white work, using titanium white gouache, is used for the white reflection in the eye and whiskers, or to scruff up white fur, and finally pen work. A gentle outliner or to accentuate fur direction and movement. As you can see the results are fantastic. Everyone goes home with a portrait to be proud of. If you are interested in attending a workshop, or having me host one for you, please contact me through this website, or via my Facebook page.





