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Big shoes to fill

Big Shoes to fill is a textile piece of a small orphaned red kangaroo Joey called “Debo”. The reference image came from the Kangaroo Sanctuary in Alice Springs who allowed me to use this image for this piece. The finished piece is stretched over a canvas and measures 75cm x 75cm. This piece will be my entry for the Cossack Art Award 2026. As with any of my textile pieces it starts as a sketch which is then traced onto acetate. This provides my pattern for cutting the fusible webbing, and the placement of the cut out fabric pieces.  I cut and place each piece of fabric onto a piece of calico, this provides a stable backing for sewing. I have chosen floral fabrics to give texture to the final piece. This part of the process takes about 4 to 6 hours. The free motion machine sewing on all my textile pieces, consists of thread painting over my placed fabric. This is the same method for every piece I do. I use only straight and zig zag stitches, and a variety of machine embroidery and cotton thread, plus metallic filament and iridised thread. In this particular piece there is a lot of gold metallic thread, I do this first as the thread is fragile and will break if I try to cover too many layers of stitching.  My thread changes are too numerous to count, and my selection of colours is important for blending or “Painting“ All my work is produced on my extremely basic, “Janome My Excel 18W” machine. Once my Joey has been completed and cut out I have to work on my background. I like the look of the Alcohol inks on white cotton, it is the closest I can get to my watercolour paintings,  the colours are bright and permanent. First, I soak the background fabric in Isopropyl alcohol.  I dilute a small amount of the Inks with some isopropyl alcohol to paint with.  I chose a more toned down background for this piece as the Joey is very bright, I wanted the red dirt, pindan colouring of the outback for the ground, and used some random shapes to create texture and gravel. The final image has Hot Fix Crystals and some seed beads, plus a splash of the gold Alcohol Ink for that little bit of shine. The eyes have a couple of hot fix crystals for the “twinkle” and just to catch the light from a distance, making the Joeys eyes look alive.   The Joey is then sewn onto the background and the body quilted to ensure a firm even surface.  I use wadding over the canvas and staple into place, then stretch the finished piece over that. This is more time consuming than it sounds, as the fabric can gather in places where the subject is sewn to the background. once the fabric is smooth and taut I sew calico onto the back of the frame to create a neat finish.  Debo is now ready for the Cossack Art Award. Wish me luck! 

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Australia's Bouquet Textile art by Yvonne Chapman-Brooks

Textile artwork “Australia’s Bouquet”

Making a quilt to represent Australia This quilt was made for the Australian Quilt Challenge, theme was Made in Australia, Flora and Fauna, talk about right up my street! Animals and free motion sewing, what more could I ask for.  I had several ideas for this one but the main one was Where do I start, what do I leave out and what do I put in? so many choices so I had to narrow it down somehow, so I settled on the fauna and flora emblems for each state of Australia. Several hours of research for the right image lead to some fantastic images, which were drawn, a pattern made using the acetate pattern Trace and Place method I have used in my previous quilts, then material resourcing.  If I can, I like to use my own hand dyed fabrics, that way I can create colours to suit the project.  The thread is the most important thing as the thread painting, to me, is what the quilt is all about. It is also the most time consuming.  I use a large selection of machine embroidery threads, as the lustre and colours are fabulous in the final piece, I also use cottons and even really cheap threads, Its all about the colour and texture.   Construction As for the previous Quilts I have shown on here, True Blue Mates, and Saving Magic the construction is the same, pieces of fabric placed onto calico and bonded with Vliesofix, a heat bonded webbing,  then thread painted in the direction of the fur, this makes a realistic finished image. This is the cut out, and attached or overlaid onto other pieces to form a small panel. easier to work with, and finally these panels are sewn and overlaid together. Any extra bulk on the back where panels have overlaid is cut away to make the quilt easier to manage.  Composition is important Now that I had all the animals and birds in place I can see where I need to full in the spaces. Luckily I need Golden Wattle, gum flowers plus kangaroo paws  and Pink Health, so I can fill in these gaps with those. It takes quite a lot of fiddling and moving the individual images to create the finished look, I photograph them and look at the overall aesthetic shape, is it balanced,  how does the eye work around the final composition? which way the images face, inwards or out, taking your eye to other pieces, size, shape, colour. At this point I still didn’t know what I was going to end up with, I decided to make the whole thing look like a bouquet for the viewer, so I had to build symmetry.   Finishing the Quilt I thought about several different colours for the background, Black, Dark Blue, Green, even Aboriginal print fabric, but the patterned fabric were way too busy and detracted form the final image, therefore it was a toss up between black and deep green. I settled for black making the colours really POP! It was quilted with footprints of the emus, Kangaroos and wombat.  Flora and Fauna depicted Western Australia:  Black Swan, Numbat, Kangaroo Paw South Australia: Hairy nosed wombat, Magpie (Pippin Strike) Sturts Desert Pea Australian Capital Territory: Royal Bluebell, (No animal emblem) Gang-Gang Cockatoo  New South Wales: Waratah, Platypus, Kookaburra Victoria: Pink Heath, Leadbeaters possum, Helmeted yellow Wattlebird Tasmania: Blue Gum, Tasmanian Devil, Yellow wattlebird Northern Territory: Wedge tailed Eagle, Kangaroo, Sturts Desert Rose Queensland: Brolga, Cooktown Orchid, Koala Additions Emu and Golden wattle from the Australian Coat of arms.  The quilt was selected to be judged at the Australian Quilt Challenge in Melbourne in 2017, and went on tour around Australia, and on display on Mexico, representing Australia. It went to the Mancuso World if Quilts in New Hampshire USA for 2018, the judges comment was that “the thread painting was an excellent example but perhaps a different colour for the black background”. This quilt took 10 months to make. 

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