Blog

A look back over 2024

Well as we say goodbye to 2024 and hello to 2025! I would like to wish you all a very happy New year. Thank you all for you continued support for my artwork, and for those who entrusted me with creating a loving memory or portrait of your pets, (several this year went overseas to the USA) A big thank you to all of you. As I look back on the last 12 months we have seen some sad changes in the Brooks household, the main one being the loss of our beautiful Greyhound, Daisy. Daisy was my muse for over 11 years, and she will be greatly missed. Luckily, I have several paintings of her dotted around the house, along with Otis who we lost at the end of 2023, so they will always be looking over us. The last year started with my shoulder surgery which meant no art for nearly 4 months, then the creation of my art quilt for the Australian Quilt Challenge “Oh my stars” where my quilt was selected as a finalist to tour the Eastern States.  It has now returned and is hanging on my wall alongside “Saving Magic” It is great to see them daily hanging together. I ran a couple of workshops last year and will be planning a couple for this year too. Watch this space or follow my Facebook page for details. https://www.facebook.com/@YvonnesArtwork/ Cossack Art Awards this year was another good exhibition for me too, with a sale and a Pilbara Ports People Choice award, for “When the working day is done,” that was a wonderful award to win and one of my best paintings for the year. It is too hard to choose a best piece or best portrait as I love doing all of them.  I have a couple to do for the New year, and a few for home and for sale at the cellar door at Vineyard 28 I look forward to sharing them with you on my website and on my Facebook page. Have a very safe, prosperous, and healthy 2025 everyone.

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Textile workshop for Recovery and Regrowth exhibition

Recovery and Regrowth a community project

On January 7th, 2016 a bushfire was out of control in the hills surrounding Waroona, Yarloop and Harvey. It had started as a lightning strike the previous day, where hot dry winds had helped to fuel the blaze, its starting point was hard to get to by Bushfire brigades, so it became uncontrollable very quickly.  That morning in Harvey, A quiet rural town in the Southwest of Western Australia, I was gathering in washing at 10 am, it was a clear, hot day with temperatures promised of 42 degrees Celsius. Within  20 minutes the sky went dark brown, and embers started to fall in my garden. The wind had changed direction and suddenly we were in the pathway of the fire.  The mobile phone rang and my landline, when I answered it was a recorded emergency alert, telling me to leave immediately or prepare to stay and defend.  I decided that I would leave and then couldn’t think straight at all.. panic…  5 minutes later my friend rocked up in her car all packed up with dogs and kids,  I realised I had to get my act together, and quick.  Throwing my freshly washed clothes in the car with my 2 dogs , big bag of dog food, dog beds and bowls I left. I forgot my toothbrush, hairbrush,  and  toiletries but I did pack my quilt ” Carousel” that was in the construction phase for the AQC challenge. Obviously my brain was a bit addled!  We evacuated our homes. It was awful, we weren’t sure what we would return to, if anything.  That night I was staying at a strangers home in Australind,  Harry and Kim, now  friends,  took in a  tired and shocked woman, with an eclectic array of belongs and two dogs. We stayed for 5 days.  That night Yarloop was destroyed, 181 properties in total, claimed by the inferno, and tragically two people lost their lives.   The rumours flooded the evacuation centre,  the meetings held were sombre and quiet as we waited for updates. Some rumours were that Harvey had gone too, that the street behind me had gone, that the fire was going to hit my house and street by the end of the meeting. None of it was true.  5 days later I returned to my home, on high alert and in constant fear of having to evacuate again. The big waterbomber “Elvis” the Erikson helicopter flew over my house for days, shaking everything in the house. It was comforting. It refuelled over the road from my house was was an impressive site.  The fire burned for 12 days, burnt 69,000 ha of land and claimed hundreds of animals, livestock, domestic pets and wildlife. It was heart-breaking. It left a lot of people homeless.   Two years on.. The Shire of Harvey decided to create an exhibition titled  “Recovery and Regrowth” for January 2018, the second anniversary of the fire,  which would be the end result of 5 workshops held in Harvey, for the communities affected by the fire. Workshops were free and held over a 3 month period, with the exhibition being the showcase of the collective works. It was also open to the public from the Waroona, Yarloop and Harvey towns to created artwork depicting regrowth and recovery.    The workshops were; Art, Textile, Youth, mosaic and Sculpture. I was asked to lead the Textile Workshop.  Around the blacked and burnt landscape yarn bombers were attaching Mandalas to the trees, to bring a bit of colour to the landscape. I decided that the Textile project would centre around a Mandala, I had no idea other than that at this stage.  Over the next 3 months the community created Mandalas, Knitted, crocheted, patchwork and felt, at the Harvey Districts Creative Arts Centre where we gathered over 130 of them in all different sizes .  As we lay them out on a large pinning table they morphed into the shape of a leaf, the shire emblem at the time was a leaf so we went with the theme.  This leaf of beautiful, bright, happy, creative Mandalas was HUGE! A spectacular result. This HUGE mandala leaf was going to be the centrepiece of the exhibition, it was as large as a king size sheet, and now I had the task of quilting it. My poor little Janome with a 12 inch throat was really put through its paces, the quilt was heavy and kept jerking under the machine as I tried to quilt circles in the background,  but it did it… it took a few days but it was finished.  It now hangs in the Yarloop Town Hall/ Community Resource Centre.  The community of Yarloop is rebuilding and reinventing itself. It has a different feel as so much was lost, historic buildings, including The Pub and the Iconic Yarloop Workshops. It took around 30 minutes to destroy the town that fateful night, and its taken over 8 years to recover and regrow. 

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Australia's Bouquet Textile art by Yvonne Chapman-Brooks

Textile artwork “Australia’s Bouquet”

Making a quilt to represent Australia This quilt was made for the Australian Quilt Challenge, theme was Made in Australia, Flora and Fauna, talk about right up my street! Animals and free motion sewing, what more could I ask for.  I had several ideas for this one but the main one was Where do I start, what do I leave out and what do I put in? so many choices so I had to narrow it down somehow, so I settled on the fauna and flora emblems for each state of Australia. Several hours of research for the right image lead to some fantastic images, which were drawn, a pattern made using the acetate pattern Trace and Place method I have used in my previous quilts, then material resourcing.  If I can, I like to use my own hand dyed fabrics, that way I can create colours to suit the project.  The thread is the most important thing as the thread painting, to me, is what the quilt is all about. It is also the most time consuming.  I use a large selection of machine embroidery threads, as the lustre and colours are fabulous in the final piece, I also use cottons and even really cheap threads, Its all about the colour and texture.   Construction As for the previous Quilts I have shown on here, True Blue Mates, and Saving Magic the construction is the same, pieces of fabric placed onto calico and bonded with Vliesofix, a heat bonded webbing,  then thread painted in the direction of the fur, this makes a realistic finished image. This is the cut out, and attached or overlaid onto other pieces to form a small panel. easier to work with, and finally these panels are sewn and overlaid together. Any extra bulk on the back where panels have overlaid is cut away to make the quilt easier to manage.  Composition is important Now that I had all the animals and birds in place I can see where I need to full in the spaces. Luckily I need Golden Wattle, gum flowers plus kangaroo paws  and Pink Health, so I can fill in these gaps with those. It takes quite a lot of fiddling and moving the individual images to create the finished look, I photograph them and look at the overall aesthetic shape, is it balanced,  how does the eye work around the final composition? which way the images face, inwards or out, taking your eye to other pieces, size, shape, colour. At this point I still didn’t know what I was going to end up with, I decided to make the whole thing look like a bouquet for the viewer, so I had to build symmetry.   Finishing the Quilt I thought about several different colours for the background, Black, Dark Blue, Green, even Aboriginal print fabric, but the patterned fabric were way too busy and detracted form the final image, therefore it was a toss up between black and deep green. I settled for black making the colours really POP! It was quilted with footprints of the emus, Kangaroos and wombat.  Flora and Fauna depicted Western Australia:  Black Swan, Numbat, Kangaroo Paw South Australia: Hairy nosed wombat, Magpie (Pippin Strike) Sturts Desert Pea Australian Capital Territory: Royal Bluebell, (No animal emblem) Gang-Gang Cockatoo  New South Wales: Waratah, Platypus, Kookaburra Victoria: Pink Heath, Leadbeaters possum, Helmeted yellow Wattlebird Tasmania: Blue Gum, Tasmanian Devil, Yellow wattlebird Northern Territory: Wedge tailed Eagle, Kangaroo, Sturts Desert Rose Queensland: Brolga, Cooktown Orchid, Koala Additions Emu and Golden wattle from the Australian Coat of arms.  The quilt was selected to be judged at the Australian Quilt Challenge in Melbourne in 2017, and went on tour around Australia, and on display on Mexico, representing Australia. It went to the Mancuso World if Quilts in New Hampshire USA for 2018, the judges comment was that “the thread painting was an excellent example but perhaps a different colour for the black background”. This quilt took 10 months to make. 

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Colours of the tropics Textile by Yvonne Chapman Brooks

Colours of the Tropics A quilt

“Colours of the tropics” . A quilt Colours of the tropics was a quilt I made in 2009, hot on the heels of The Four Seasons of Harvey. The WAQA (West Australian Quilters Association) was holding another annual exhibition, this time the theme was Tropical Delight.  I had been wanting to do a Macaw for ages, and after my success with Free motion Machine Sewing with the previous quilt, I was confident enough to do another.  Making the Macaw A good a place to start as any, but one that governed the size of the overall quilt, I knew from the image I had selected to make that he needed to be in the top left corner, his wings outstretched as he swooped in over the scene. He would stand proud at the top of the quilt, and I wanted the gold of his undercarriage to be almost like the sun coming through. I had chosen to put the tri coloured Macaws into the centre of the quilt, so this one was a solo feature, setting the tone for the quilt.  Diving to the depths. The diver was a fun piece to make, complicated, but looked really great as a centre piece. I used 3 different materials for the ocean, 2 patterned, and a hand dyed yellow for the beach. The coral was made from 2 different yellow felt squares, the fish were individually made and inserted between the coral before more pink felt made the pink coral. This was over sewn with thread and beaded. Air bubbles are iridised beads, and the hair was sewn with glossy embroidery thread. I was asked if it was me in the panel, alas no, I swim like a brick! Connecting the pieces together Construction is always a detailed process, I would cut out the pieces I had made and place them together, layering and changing things around, adding more, finding the best layout so everything flowed together as you viewed the finished quilt, your eye following tail feathers down or logs and branches left and right, moving from each individual subject to the other effortlessly, yet not missing anything.   There were so many individual pieces to make in this quilt, Birds, snakes, spiders, frogs, foliage and water, butterflies, flowers, rocks and trees. I lost count of the pieces, just kept making them until I felt I had enough to fill in the gaps.  Using various different fabrics from dress fabric, cottons, my own  hand dyed cottons, velvets and silks, plus hundreds of beads, this quilt took nearly a year to make.  Some were large pieces, like the Macaws, Toucan and the trees. I fashioned those on the tropical fig trees whose root systems are like buttresses holding up the enormous trunks. I decided the best way to frame the quilt was with the trees either side, and flowers along the top.    Hibiscus and Passion fruit flowers I probably made more flowers than I actually needed, and I recall using them on other projects, there are still a couple of hibiscus in my stash at home. They all started as flat pieces of coloured fabric, but with a bit of stitching and thread painting they came to life.  Wildlife The tropics are full of the most amazing fauna. I chose birds that would be big and bold, the Toucan was gorgeous in black velvet, slightly padded to stand out , and with iridised tulle to create a glossy shine.  I hunted for vibrant fabrics with texture and shine, Ulysses butterflies were Velvet and silk,  Kingfishers made from satin and dress making fabrics.  The mossy rocks were cut from mottled brown fabrics and then sewn with small zig-zag stitch, in a circular free motion to create a soft mossy covering.  I used rather cheap, matte yet glary, almost dayglo thread, in limes and yellow-greens,  knowing they would “fluff up” over time, and create a soft wispy look, along with greens and dark green polyester thread for depth and a bit of shine. There were about 5 different threads in those rocks,  Hibiscus flowers were fun to do and most references were taken from my garden. small gold seed beads and pearls made the stamens. They were appliqued on using small zig-zag stitch, which I  worked into the flower so it wasn’t really seen as an outline. The Orb Spider web was made up almost entirely of beads.  The web was sewn in silver metallic thread, and the water droplets were clear seed beads. Sewing with metallic thread poses a problem over layers of fabric as I had discovered with previous quilts, it kept snapping, so frustrating! So the spider web was sewn before other layers were added around it, the beads helped to “Quilt” that area by sewing the layers together. I realised that for exhibition and competition the quilts had to be “sewn to with an inch of their lives” which was very challenging with just a normal sewing machine, and not a “long arm” beauty like most of the competition used. I could be found buried under huge layers of quilt just about able to see. My poor machine … It would clunk away through sometimes up to 10 layers of fabric. I must have been doing something right though, I chose good,  heavy duty needles and only broke 2 in the whole project.  Finishing the Quilt In total there were 9 frogs in the quilt, some hidden away, and the only piece on the entire quilt that I did not make was one of these frogs. It was a tiny pre-made embroidered frog.  The fungi was made from felt, and sewn onto a long branch that formed the bottom of the quilt, covered in moss, and lizards, then covered in small flower shaped buttons in three shades of green. The fungi stands free held onto the quilt with one layer of the circular pattern stitching . The whole quilt is so very tactile. On display, the viewer just wanted to

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The Four Seasons of Harvey. A quilt.

The Four season of Harvey The Four Seasons of Harvey was a quilt that started my quilt journey back in 2008.  The local Art society and the local craft groups in Harvey, a small town in the Southwest of  Western Australia, decided to hold a joint exhibition in the Harvey Districts Creative Arts Centre , so we picked a theme, “The Four Seasons.” I decided to make a quilt as I was just beginning to learn how to do free motion machine sewing, and thread painting.  I decided to do a large quilt, 1.3M wide by 2.4M long, to fit in my hallway in a house I was renovating. It took a full year to make and is the largest free motion piece I have ever done.  The quilt was constructed in 5 panels, the top one for the sky and distant hills, which would be finalised with gum leaves, blossoms and gum nuts. The second depicted both the orange orchards that Harvey was known for, and its Dairy produce.   The Orange trees are laden with fruit in the middle of the piece, then back to bare trees. The paddocks show the seasonal changes as they go from grass to hay, (I used upholstery ruching for this,) which is then harvested and baled, and  finally covered in grazing cattle. The third panel was probably my first big challenge. The cows in Harvey represent the beef and dairy industry, and in town there is a historic old abattoir, which is now slowly, sadly,  falling to pieces, but at the time had a water tank and windmill still intact.  The main cow was from a photo taken by a friend of mine, Bryan Waller, who allowed me to use his image, a cow licking its nose leaning over a fence. This was the main subject piece for this panel.  By now I had some practice with my free motion and piecing of images, so the cow was the first thread painted piece that I felt really proud of.  The other cows consisted of appliqued pieces cut from printed fabric, and two images taken from  paintings of mine, and fabric pieced and sewn. I was also quite proud of my building too, it looked textural and 3D .  From drawing to pieced  image, to sewn. Note the collie next to the cow. I had jsut recently lost my collie cross dog Max, so decided to put him into the quilt.  Getting adventurous! Vineyards in the Harvey region are represented by grape vines. I tried to depict the changing season by first showing empty vines, then vines with green and black grapes with a full ripe bunch in the centre. The late harvest is shown in rust and orange tones, and then the vine goes back to to being an empty vine.  This was very ambitious for me. I was using different fabrics and sewing with metallic thread, something I found really difficult over several layers of fabric. Very frustrating when the thread kept snapping.   I used beads to create 3D texture to the finished piece, and the main bunch was a mix of velvets and hand dyed cotton.  Max made his second appearance in this panel too.  Wild Flowers The next panel depicts the spring wild flowers,  Spider Orchid, Blue enamel orchid, Donkey Orchids, Banksia, Poppy. I also added some Blackberries, not native to WA but I had found some in Tasmania and they reminded me of home, plus, I wanted to make some as I had found perfect black beads! There was a lot of beading on this piece. I searched for ages to get beads that I could use in this quilt.  The magpie with his ever watchful beady eye was fun to make, I like him,  I think he adds character.  In WA we have magnificent coloured Splendid Fairy Wrens, the males are the most spectacular blue during mating season.  Waterways Around Harvey are rivers and waterways plus irrigation ditches for the paddocks, in them there is an abundance of wildlife, kingfishers, ducks, dragon flies and frogs.  Now I was getting really adventurous! I made my own fabric using silk tops and PVA glue, this meant I could cut it to shape and sew it! I used it on the breast of the central front facing duck, which I was really proud of, and my Bobtail Lizard, made entirely of silk paper. A little bit of thread painting and free motion sewing and they were the best pieces so far! The bottom branch was also made entirely of silk paper and thread painted.  By now though I had been sewing for almost a year, so my technique improved and my confidence had grown, setting myself more challenges.  Finishing the Quilt Finishing touches were placed around the quilt to bring the quilt together, Bees, extra birds, Oranges and gum flowers. construction was challenged using my tiny Janome sewing machine, and was completed using two tree trucks as a frame. I was so pleased with the finished quilt. It was a journey of discovery and firsts, along with  learning a technique that grew as the quilt grew, I grew in confidence. My next quilt was even better! That’s  for the next blog…. The Four Seasons exhibition was a great success with a great mix of art and craft.  My quilt was entered into the 2009 WAQA quilt exhibition where I entered it under the Theme for that year  “Natures Beauty.” It WON! It also won Peoples Choice, Members Choice and went on to the BEST OF THE BEST Exhibition in Melbourne the following year. Not bad for an absolute beginner.   It hangs in my home, I have moved form the original house it was designed for, but it still hangs proudly in my entrance hall. 

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Carousel. Tradition with a Twist quilt

Tradition with a Twist was the 2016 Theme for the AQC challenge, I chose to create a “Carousel”. The tradition being a yearly fair that would attend local towns in the Uk when I was growing up, where the favourite attraction was the Carousel. The twist, well I always liked to think I was riding a real horse, so there he is, a real horse in the carousel. I started with a watercolour concept of the four horses I wanted to recreate, then had to replicate this into material.  Making a pattern and placing the fabric Making a pattern is important, I have enlarged my image onto several acetate pieces and drawn the image as detailed as possible.  I reverse this acetate pattern and use it to trace the Vliesofix, a bonding mesh that will be used to iron the fabric on to the calico backing, by reversing the image for drawing I can put the tracing the right way up to place the fabric underneath in the right spot. I call this Trace and Place.  It allows me to place several layers of fabric in the right spot for ironing and bonding, and finally sewing.  Sewing begins As the shapes begin to take place and once layering has been completed Sewing begins. I use only straight and zig zag stitch for all my textiles. I have a very basic small Janome for this so as the quilt gets bigger it can be a challenge to sew. I have a huge stash of thread which I begin to thread paint over my fabric pieces, paying attention to direction, texture and colour.  As sewing is completed on the horse images, I cut them out from their calico backing, making a piece that will eventually be sewn into place, making it in separate pieces means I can keep it as flat as possible with no buckling as I sew. I can also compose the best composition, they look quite stunning on a black background! Making up the background I hand painted the background using acrylic paints mixed with a textile medium for permanence. I was going to have an evening look but decided it wasn’t bold enough, so went with the black and made it night time, this way the lights of the carousel would appear brighter.  I added white globes over the painted light so there would be a glow behind them.  I also added the 3rd and 4th horse poles.    The shine on the real horse is a cellophane Angel Hair filament, when placed between baking paper and ironed it makes a solid web of “fabric” that can be cut to shape and sewn, without losing any of its shine or glitter.  the floor was made from large pieces of fabric, sewn to look like wood, then blended with velvet that had been hand dyed with real bright colours, to create reflected lights.  The finished quilt measured approximately 36 inches square. 90cm x 90cm.  Winning quilt. This quilt was entered into the AQC (Australian Quilt Challenge) in 2016  It very nearly didn’t make it at all, as on the 7th January 2016, when it was halfway though construction, WA’s Largest bushfire threatened our town, having destroyed the neighbouring  town of Yarloop  and tragically, with loss of life. I was evacuated to a nearby town and taken in by really amazing strangers who quickly became friends. They took in a woman with a half finished quilt, a few clothes, a car full of dogs and all stressed to the max! it was almost a week before we were allowed home.  But I finished it.  CAROUSEL was entered and chosen to exhibit with 30 others at the craft exhibition in Melbourne, and around Australia for the next year. It didn’t win anything here, but the following year I entered it into the Mancuso World of Quilts in the USA where it won “Best use of Colour: Innovative section” I was blown away. A major prize!

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True Blue Mates. A Quilt

Making of “True Blue Mates.” A Quilt. in 2015 I made a quilt for the Australian Quilt Challenge (AQC) for the themed challenge “True Blue,”  I decided on “True Blue Mates” based on several True Blue Aussie iconic images, the Swagman, based on my late husband, but with more hair… the Blue Heeler dog, my friends dog NED, a typical Australian bush scene, billy on the campfire and swag with Australian green and gold wattle just for good measure.  Making the quilt took around 9 months, from concept and design to the finished product. it is 90cm x 90 cm. It won People’s choice that year and had an Honorary mention. the following year it went to America to the “Mancuso World of Quilts,” where it won Best of Country for Australia Making the quilt Each element of the quilt is made in the same way. Each image is simplified into a shape and colour making almost a “paint by numbers”, each piece of material is cut and fused into place, in this case onto calico, the image is then sewn over using multiple threads and “Painted” using the thread to depict direction and texture. I use a very simple Janome sewing machine and free motion my thread painting. I only use straight and zig-zag stitch.  Once finished this image is cut out and forms a sort of “Badge” that can then be put into the final layout. Making the “Swagman” making the Swagman took a lot of hours, the shirt alone was a huge undertaking with multiple thread changes, as the original fabric was just plain navy with a grey grid of fabric fused on top. so dimension and shading were added using a very fine free motion zig-zag stitch.   The jeans were make from two old pairs of jeans cut to get the faded, worn look where the creases are, then stitched and thread painted. The boots, which were so typical of Jeff, were the finishing touch to the worn well trodden look I was after  Making the background elements A great deal of thought went into the background, I wanted to display as much Australiana as I could with out it being over the top.  I decided a swag was obvious, a traveller needs his bed roll, so I made a swag for him to sit on, but it didn’t look like a swag as I had over sewn it, so I made it into a tree trunk!  The swag had to be added separately and for good measure I attached a pre-embroidered Australian flag badge. The duffle bag was padded to add dimension and loose shoe laces added for a 3D effect. Trees were sewn to look like bark and the wattle was sewn with free motion zig-zag in green with three shades of yellow forming the wattle flower. The floor covering of leaves were all individually cut and appliqued into place with some metallic filament for a bit of shine.  The poem G”Day my name is Ned, and “Aussie Icon I’ve been told, A true Blue Australian loved by many young and old, Been travelling with a mate of mine, we’ve found the perfect spot, campfire lit , billy on, its contents piping hot! After a bit of tucker roll the swag out for a rest,  curl up by the fireside, the time I love the best. Stories of our travels, the many miles we’ve done as the Southern Cross lifts high after the setting of the sun.  Memories of the early days, of others that he knew those that came before me all fondly thought of too.  Gentle hands stroke my head, I give my paw, to let him know I’m listening, well…. that’s what friends are for! I decided to make the quilt about the dog Ned, he is the character in the foreground so needed to be bought into the story. The poem told the story about mate ship, travel and finding peace.  Jeff died of prostate cancer in 2017, he was 61. Neds human, my “bestie” Bev died 3 weeks before him of Motor Neurone Disease. Ned died a couple of years later.  So the quilt is in memory of people in my life and Ned who was adored by us all, it was seen around the world and appreciated by many. It was shared as an image worldwide and I am so proud to be able to say it is mine! A friend bought it and it is displayed in his entrance hall at his home for all to see, he has kindly lent it to me for display at quilt exhibitions. 

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True Blue Mates. A Quilt

Making of “True Blue Mates.” A Quilt. in 2015 I made a quilt for the Australian Quilt Challenge (AQC) for the themed challenge “True Blue,”  I decided on “True Blue Mates” based on several True Blue Aussie iconic images, the Swagman, based on my late husband, but with more hair… the Blue Heeler dog, my friends dog NED, a typical Australian bush scene, billy on the campfire and swag with Australian green and gold wattle just for good measure.  Making the quilt took around 9 months, from concept and design to the finished product. it is 90cm x 90 cm. It won People’s choice that year and had an Honorary mention. the following year it went to America to the “Mancuso World of Quilts,” where it won Best of Country for Australia Making the quilt Each element of the quilt is made in the same way. Each image is simplified into a shape and colour making almost a “paint by numbers”, each piece of material is cut and fused into place, in this case onto calico, the image is then sewn over using multiple threads and “Painted” using the thread to depict direction and texture. I use a very simple Janome sewing machine and free motion my thread painting. I only use straight and zig-zag stitch.  Once finished this image is cut out and forms a sort of “Badge” that can then be put into the final layout. Making the “Swagman” making the Swagman took a lot of hours, the shirt alone was a huge undertaking with multiple thread changes, as the original fabric was just plain navy with a grey grid of fabric fused on top. so dimension and shading were added using a very fine free motion zig-zag stitch.   The jeans were make from two old pairs of jeans cut to get the faded, worn look where the creases are, then stitched and thread painted. The boots, which were so typical of Jeff, were the finishing touch to the worn well trodden look I was after  Making the background elements A great deal of thought went into the background, I wanted to display as much Australiana as I could with out it being over the top.  I decided a swag was obvious, a traveller needs his bed roll, so I made a swag for him to sit on, but it didn’t look like a swag as I had over sewn it, so I made it into a tree trunk!  The swag had to be added separately and for good measure I attached a pre-embroidered Australian flag badge. The duffle bag was padded to add dimension and loose shoe laces added for a 3D effect. Trees were sewn to look like bark and the wattle was sewn with free motion zig-zag in green with three shades of yellow forming the wattle flower. The floor covering of leaves were all individually cut and appliqued into place with some metallic filament for a bit of shine.  The poem G”Day my name is Ned, and “Aussie Icon I’ve been told, A true Blue Australian loved by many young and old, Been travelling with a mate of mine, we’ve found the perfect spot, campfire lit , billy on, its contents piping hot! After a bit of tucker roll the swag out for a rest,  curl up by the fireside, the time I love the best. Stories of our travels, the many miles we’ve done as the Southern Cross lifts high after the setting of the sun.  Memories of the early days, of others that he knew those that came before me all fondly thought of too.  Gentle hands stroke my head, I give my paw, to let him know I’m listening, well…. that’s what friends are for! I decided to make the quilt about the dog Ned, he is the character in the foreground so needed to be bought into the story. The poem told the story about mate ship, travel and finding peace.  Jeff died of prostate cancer in 2017, he was 61. Neds human, my “bestie” Bev died 3 weeks before him of Motor Neurone Disease. Ned died a couple of years later.  So the quilt is in memory of people in my life and Ned who was adored by us all, it was seen around the world and appreciated by many. It was shared as an image worldwide and I am so proud to be able to say it is mine! A friend bought it and it is displayed in his entrance hall at his home for all to see, he has kindly lent it to me for display at quilt exhibitions. 

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