I have your back
“I have your back.” I don’t get to paint horses very often unfortunately, but when I saw my friends photograph of her two horses, Llewella and Persia, it shouted out to be painted. There is a local art prize exhibition in June so I decided to paint this as one of my entries. It is a large painting (910mm x 760mm) and I decided on mixed media, for me, is Oils (water-based) and Acrylic. The two work well together as they are both water based products, and the acrylic used as a base for blocking in saves time and is a fraction cheaper. I use the oils as my top layers and love the way I can layer them with brush and palette knife. The do take longer to dry but there is a fast drying medium that can be mixed with it which does help to speed up the process. Using a grid I drew the image using a 2b pencil onto the primed canvas. I like to prime my canvasses with a good quality gesso, even though the are pre primed, I find the paint seems to adhere better and more evenly. Once sketched I paint in my background using the acrylic paint. Here I have used Dioxazine purple, Indigo and Blue Violet, with a touch of Titanium White. The first horse, Llewella is blocked in using Dioxazine purple, Indigo, Blue Black, Cobalt Blue light, Magenta, and Titanium White. I try to get as much main detail in at this stage, but the more subtle shading and blending will be in the next couple of layers. It is hard not to do too much at this stage, the temptation to produce a finished image quickly has to be reigned in. I finds it easier to make changes when the whole painting is blocked in. Even if at this stage the painting looks great, I always seem to change things. I have now blocked in Persia and this is where the gorgeous warmer tones come into play, they contrast beautifully with the cool tones of Llewella. I realise that the background needs some warmth over Persia so introduce some Magenta Oil paint with the purple. The oils are evident by their sheen in the photograph. I now begin to finish Llewella using the oil paints, making much smoother blending on her body. I do have to be careful not to let the paint get “muddy,” so I spread the painting out over a few days, using the fast drying medium does helps to reduce this. Now I can focus on Persia, enhancing the beautiful warm colours. I use Lemon Yellow, Cadmium Yellow Mid, Orange, Magenta, Dioxazine purple and Titanium White in my oils, over similar acrylic colours. (The orange and Dioxazine Purple make some beautiful browns.) The beauty I find of working with the water-based oils are their buttery texture, they blend so beautifully. The other advantage is no smell and easy soap and water clean up. The drying time is about 2 to 4 weeks, longer if I use the palette knife and thick layers. Unfortunately they don’t have the large range of colours as the mineral oil paints do. When finished, I use the same varnish as I do for my acrylics, 2 coats of Atelier gloss varnish. Almost finished, and I have introduced some cool tones with the cobalt blue light into Persia’s’ mane, plus some warm highlights. A touch of white on the shine in her back and the painting is finished. I have thoroughly enjoyed painting this, I need to paint more horses I think!
